Genji monogatari (Tale of Genji): Chapter 2: Hahakigi (Broom Cypress); Chapter 3: Utsusemi (A Molted Cicada Shell) and Chapter 4: Yūgao (The Lady of the Evening Faces)

possibly Tosa Mitsuyoshi, Japanese, 1700 - 1772

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Course History

ARTH 64, The Japanese Painting Tradition, Allen Hockley, Spring 2014

ARTH 62.3, Japanese Prints, Allen Hockley, Winter 2019

ARTH 62.30/ASCL 62.12, Japanese Prints, Allen Hockley, Spring 2022

ARTH 62.30/ASCL 62.12, Japanese Prints, Allen Hockley, Spring 2022

Art History 62.30, Asian Societies, Cultures, and Languages 62.12, Japanese Prints, Allen Hockley, Spring 2023

Art History 62.30, Asian Societies, Cultures, and Languages 62.12, Japanese Prints, Allen Hockley, Summer 2023

Exhibition History

Dartmouth Looks at The Tale of Genji (Genji monogatari), curated by Dennis Washburn and Allen Hockley in conjunction with the colloquium "What Is a Classic? Translation, Reception, and the Making of Canons," Ivan Albright Gallery, Teaching Exhibition, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, June 21-September 28, 2014.

Gene Y. Kim, Class of 1985, Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, June 6-July 1, 1996.

Screens and Scrolls: Japanese Painting from the Ackland Art Museum, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 8-June 18, 2000.

The Art of Storytelling, Middlebury College Museum of Art, Middlebury, Vermont, September 8-December 13, 2015.

Provenance

Given to George Herman (1920-2005) in Tokyo, Japan, 1953; given to present collection, 1993.

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