Portrait of a Martyr

Claudio Bravo, Chilean, 1936 - 2011

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1972

Oil on canvas

Overall: 52 3/8 × 33 3/8 in. (133.1 × 84.7 cm)

Hood Museum of Art, Dartmouth College: Gift of Joachim Jean Aberbach

P.974.373

Geography/Culture

South America, Chile

Period

20th century

Object Name

Painting

Classification

Painting

Not on view

Inscription

Signed, lower left: Claudio Bravo; dated, lower right; MCMLXXII

Course History

GOVT 49.04, LACS 52.01, WGSS 31.01, Sex and the State: Latin America, Lisa Baldez, Fall 2019

GOVT 49.05, Protest and Parties in Latin America, Lisa Baldez, Fall 2019

ARTH 2, Introduction to the History of Art II, Katie Hornstein, Jane Carroll, Winter 2013

ARTH 2, Introduction to the History of Art II, Katie Hornstein, Jane Carroll, Winter 2013

Exhibition History

The Male Nude, Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, April 14-May 24, 1980.

Selections: Contemporary Art, Jaffe-Friede Gallery, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, December 12, 1925-January 11, 1976.

Flesh and Desire [curated by Art History II Professors Jane Carroll and Katie Hornstein], Ivan Albright Gallery, Hood Museum of Art, Dartmouth Collection January 7-March 4, 2013.

Cultural Exchange, the Body, and Art and Technology, Art History 2, Harrington Gallery Teaching Exhibition, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 25-March 9, 2003.

Contemporary Art from the College Collection, Jaffe-Friede Gallery, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, January 24-March 2, 1975.

A Space for Dialogue 76, Modern Melancholy, Jane Cavalier, Class of 2014, Class of 1954 Intern, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 30-May 26, 2013.

Publication History

Jane Cavalier, A Space for Dialogue 76, Modern Melancholy, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2013, ill. p.1.

David Martocci, The Male Nude, Francine Clark Art Institute, Williamstown, MA, 1980, cat. no 17.

Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009 p.66, no.41.

Provenance

Joachim Jean Aberbach (1910-1992), Old Westbury, New York; given to present collection, 1974.

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.

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