Girl in Kimono

Ben Shahn, American (born Russia, now Lithuania), 1898 - 1969

Share

about 1929

Oil on white wove paper

Sight: 17 1/4 in. (43.8 cm)

Sight: 11 in. (27.9 cm)

Frame: 26 1/2 × 22 in. (67.3 × 55.9 cm)

Hood Museum of Art, Dartmouth: Gift of Abby Aldrich Rockefeller

Art © Estate of Ben Shahn / Licensed by VAGA, New York, NY

P.935.1.58

Geography

Place Made: United States, North America

Period

20th century

Object Name

Painting

Research Area

Painting

Not on view

Inscriptions

Signed, in brown ink, lower left: Ben Shahn

Course History

Art History 38.03, Asian Societies, Cultures, and Languages 70.02, East Meets West, Sunglim Kim, Spring 2024

Exhibition History

American Paintings from the Dartmouth Collection, 1910-1960, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 17-April 12, 1998.

Ben Shahn Retrospective 1991, Brain Trust Inc., Tokyo, Japan, Isetan Museum of Art, Tokyo; Himeji City Museum of Art, Himeji; Fukushima Prefectural Museum of Art, Fukushima; The Museum of Fine Arts, Gifu; the Daimaru Museum, Uneda-Osaka, Osaka, May 9-November 12, 1991.

Gifts of Abby Aldrich Rockefeller, Carpenter Galleries, Dartmouth College,Hanover, New Hampshire, June 11-July 11, 1976.

Publication History

Frances K. Pohl, Ben Shahn, with Ben Shahn's Writings, San Francisco: Pomegranate Artbooks, 1995, ill. p. 36

Yoshiyuki Fuji, Ben Shahn, Contemporary Great Masters (18 volume series), vol. 1, Tokyo, Japan: Kodansha Ltd., 1992, ill. plate 2.

Kenneth W. Prescott, Ben Shahn Retrospective Exhibition, Japan 1991; Brain Trust, Inc. Tokyo, Exhibition Coordinator, ill. p. 27, pl. 1.

Laura Katzman, Deconstructing Documentary: Ben Shahn's Use of Photography (an article in the journal in the monograph series of the German Association of American Studies), Heidelberg: Universitatsverlag, C. Winter, Spring 2001, ill. p. 185.

Provenance

Downtown Gallery, New York; sold to Abby Aldrich Rockefeller (1874-1948), New York, December 24, 1929; given to present collection, 1935.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu