The Epic of American Civilization: The Pre-Columbian Golden Age (Panel 6)

José Clemente Orozco, Mexican, 1883 - 1949

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1932-1934

Fresco

Overall: 120 × 175 in. (304.8 × 444.5 cm)

Hood Museum of Art, Dartmouth: Commissioned by the Trustees of Dartmouth College

P.934.13.6

Geography

Place Made: Mexico, North America

Period

20th century

Object Name

Painting

Research Area

Painting

On view

Inscriptions

Signed, east wall (Panel 11): J. C. Orozco / Febrero 13, 1934

Course History

ARTH 63.01/LACS 48.01, Mexican Muralism, Mary Coffey, Fall 2022

ARTH 63.01/LACS 48.01, Mexican Muralism, Mary Coffey, Fall 2022

ARTH 63.01/LACS 48.01, Mexican Muralism, Mary Coffey, Fall 2022

ARTH 63.01/LACS 48.01, Mexican Muralism, Mary Coffey, Fall 2022

ARTH 63.01/LACS 48.01, Mexican Muralism, Mary Coffey, Fall 2022

GEOG 31.01, Postcolonial Geographies, Erin Collins, Fall 2022

WRIT 2.06, Composition and Research I, Doug Moody, Fall 2022

Writing Program 5.08, Reviewing Ourselves: Critical Writing and Personal Values, Bill Craig, Winter 2023

Latino Studies 37.01, Migrant Lives and Labor, Doug Moody, Spring 2023

Geography 31.01, Postcolonial Geographies, Erin Collins, Fall 2023

Exhibition History

Public Art, Reserve Corridor, Baker-Berry Library, Dartmouth College, Hanover, New Hampshire, 1934.

Publication History

Mary Ann Caws, chief editor; Christoper Prendergast, editor, HarperCollins World Reader, New York, NY: HarperCollinsCollegePublishers, c1994, ill.

series Mexican Art Abroad, Mexico: Grupo Azabache, September 1994.

Video series "Myths of Mankind", The Netherlands: Netherlands Public Television (AVRO), 1997.

Jane Benson Ackerman, The Hood Museum of Art: Ten Years of Making Art at Home in the Upper Valley, Upper Valley Magazine, November/December 1995, Volume 9, No. 6, Van Etten, Inc., 1995, pp. 22-29, ill. p. 28

Marina Harrison & Lucy D. Rosenfeld, Art on Site: Country Artwalks from Main to Maryland, New York: Michael Kesend Publishing, Ltd., 1994, pp. 238-241, ill. p. 240

Master Works of Mexican Art in the World, Mexican Ministry of Foreign Affairs, Institute Matias Romero for Diplomatic Studies, 1993

Editorial Clio, Orozco segun Orozco, (Video-in Spanish), Delagacion Coyoacan, Mexico: Editorial Clio, 1998, approx. 43 minutes.

Jose Clemente Orozco: Pintura y verdad, Jalisco, Mexico: Instituto Cultural Cabanas, 2010, pp.166-181, ill. p.171.

Mary K. Coffey, Sharon Lorenzo, Lisa Mintz Messinger, Stephen Polcari, Men of Fire, Jose Clemente Orozco and Jackson Pollock, Hanover: Trustees of Dartmouth College, 2012, ill. p.53, page 22, figure 42.

Elizabeth L. Langhorne, Jackson Pollock: Kunst als Sinnsuche: Abstraktion, All-Over, Action Painting, Wallerstein: Hawel-Verlag, 2013, 468 pp., ill. p. 40.

Barbara Haskell, Vida Americana, Mexican Muralist Remake American Art, 1925-1945, New York: Whitney Museum of American Art, 2020, ill. pp. 176-177, fig. 5.

Warren Carter, ed., Art after Empire: From Colonialism to Globalisation, Manchester: Manchester University Press in association with the Open University, 2018, pp. 84-89, ill. p. 86, fig. 2.23

Provenance

Commissioned by the Trustees of Dartmouth College, Hanover, New Hampshire, 1932.

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