Signed, east wall (Panel 11): J. C. Orozco / Febrero 13, 1934
Public Art, Reserve Corridor, Baker-Berry Library, Dartmouth College, Hanover, New Hampshire, 1934.
Elizabeth L. Langhorne, Jackson Pollock: Kunst als Sinnsuche: Abstraktion, All-Over, Action Painting, Wallerstein: Hawel-Verlag, 2013, 468 pp., ill. p. 40.
Mary K. Coffey, Sharon Lorenzo, Lisa Mintz Messinger, Stephen Polcari, Men of Fire, Jose Clemente Orozco and Jackson Pollock, Hanover: Trustees of Dartmouth College, 2012, ill. p.53, page 22, figure 42.
Jose Clemente Orozco: Pintura y verdad, Jalisco, Mexico: Instituto Cultural Cabanas, 2010, pp.166-181, ill. p.171.
Editorial Clio, Orozco segun Orozco, (Video-in Spanish), Delagacion Coyoacan, Mexico: Editorial Clio, 1998, approx. 43 minutes.
Video series "Myths of Mankind", The Netherlands: Netherlands Public Television (AVRO), 1997.
Jane Benson Ackerman, The Hood Museum of Art: Ten Years of Making Art at Home in the Upper Valley, Upper Valley Magazine, November/December 1995, Volume 9, No. 6, Van Etten, Inc., 1995, pp. 22-29, ill. p. 28
series Mexican Art Abroad, Mexico: Grupo Azabache, September 1994.
Mary Ann Caws, chief editor; Christoper Prendergast, editor, HarperCollins World Reader, New York, NY: HarperCollinsCollegePublishers, c1994, ill.
Marina Harrison & Lucy D. Rosenfeld, Art on Site: Country Artwalks from Main to Maryland, New York: Michael Kesend Publishing, Ltd., 1994, pp. 238-241, ill. p. 240
Master Works of Mexican Art in the World, Mexican Ministry of Foreign Affairs, Institute Matias Romero for Diplomatic Studies, 1993
Commissioned by the Trustees of Dartmouth College, Hanover, New Hampshire, 1932.
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