The Epic of American Civilization: The Coming of Quetzalcoatl (Panel 5)

José Clemente Orozco, Mexican, 1883 - 1949

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1932-1934

Fresco

Overall: 125 1/2 × 205 in. (318.8 × 520.7 cm)

Hood Museum of Art, Dartmouth College: Commissioned by the Trustees of Dartmouth College

© 2018 Artists Rights Society (ARS), New York / SOMAAP, Mexico City

P.934.13.5

Geography/Culture

North America, Mexico

Period

20th century

Object Name

Painting

Classification

Painting

On view

Inscription

Signed, east wall (Panel 11): J. C. Orozco / Febrero 13, 1934

Exhibition History

Public Art, Reserve Corridor, Baker-Berry Library, Dartmouth College, Hanover, New Hampshire, 1934.

Publication History

Elizabeth L. Langhorne, Jackson Pollock: Kunst als Sinnsuche: Abstraktion, All-Over, Action Painting, Wallerstein: Hawel-Verlag, 2013, 468 pp., ill. p. 40.

Mary K. Coffey, Sharon Lorenzo, Lisa Mintz Messinger, Stephen Polcari, Men of Fire, Jose Clemente Orozco and Jackson Pollock, Hanover: Trustees of Dartmouth College, 2012, ill. p. 52; p. 6, fig. 18; p.24, fig. 45.

Jose Clemente Orozco: Pintura y verdad, Jalisco, Mexico: Instituto Cultural Cabanas, 2010, pp.166-181, ill. p.170.

Art New England: Contemporary Art and Culture, Volume 31, Number 3, 2010, p. 57, ill.

Nichola Tucker, The Epic of American Civilization as Performative Epic: Student Viewers as Heroes and the Re-Enactment of History, The Collegiate Journal of Art, Spring 2008, Volume IV, 2008, pp. 97-110, ill. p. 100, fig. 3.

Angela L. Miller, Janet C. Berlo, Bryan J. Wolf and Jennifer L. Roberts, American Encounters: Art, History, and Cultural Identity, London: Laurence King Publishing Ltd., New Jersey: Pearson Prentice Hall, 2008, 685 pp., ill. p. 523.

The Getty Conservation Institute, Mural Painting and Conservation in the Americas [Symposium Brochure], Los Angeles, California: Getty Publications, May 16-17, 2003, 6 pp., detail on cover, full reproduction on inside.

Marjorie L. Harth, Jose Clemente Orozco: Prometheus, Pomona, California: Pomona College Museum of Art, 2001, pp. 39-45, ill. p. 41, fig. 25.

Yoshio Makabe, Shukan Bijutsukan (The Weekly Museum): Frida Kahlo, Diego Rivera, Tokyo: Shogakukan, Inc., 2000, ill. p. 28

Sino Masao, Art of the 20th Century, Tokyo, Japan: Bijutsu shuppan-sha c/o Art Mall Inc., October 2000 (Japanese publication).

Neil Baldwin, Legends of the Plumed Serpent: Biography of a Mexican God, New York: Public Affairs, 1998, ill. pp. 154-155

Editorial Clio, Orozco segun Orozco, (Video-in Spanish), Delagacion Coyoacan, Mexico: Editorial Clio, 1998, approx. 43 minutes.

Carl Stecher, Searching for a Lost God, Sextant, Volume VIII, No. 1, 1998, Salem: Salem State College, 1998, ill. p. 24

Video series "Myths of Mankind", The Netherlands: Netherlands Public Television (AVRO), 1997.

Katharine Baetjer, Lisa Mintz Messinger, Nan Rosenthal, The Jackson Pollock Sketchbooks in the Metropolitan Museum of Art, New York: The Metropolitan Museum of Art, 1997, ill. p. 76

Professor Senzoku, Expressions of New History of World Art Series, Volume 26, Tokyo: Shogakukan Inc., 1995, ill. p.323.plaate 197

series Mexican Art Abroad, Mexico: Grupo Azabache, September 1994.

Master Works of Mexican Art in the World, Mexican Ministry of Foreign Affairs, Institute Matias Romero for Diplomatic Studies, 1993

Desmond Rochfort, Mexican Muralists: Orozco, Rivera, Siqueiros, Singapore: Laurence King Publishing, 1993, pp.99-119, ill. p. 103

Stephen Polcari, Orozco and Pollock: Epic Transfigurations, American Art, Summer, 1992, Washington, D.C.: National Museum of American Art, 1992, pp. 37-57, ill. p. 51.

Carlos Fuentes, The Buried Mirror: Reflections on Spain and the New World, Boston, New York, London: Houghton Mifflin Company, 1992, ill. p.135.

Provenance

Commissioned by the Trustees of Dartmouth College, Hanover, New Hampshire, 1932.

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.

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