Signed, east wall (Panel 11): J. C. Orozco / Febrero 13, 1934
Public Art, Reserve Corridor, Baker-Berry Library, Dartmouth College, Hanover, New Hampshire, 1934.
Mary K. Coffey, Sharon Lorenzo, Lisa Mintz Messinger, Stephen Polcari, Men of Fire, Jose Clemente Orozco and Jackson Pollock, Hanover: Trustees of Dartmouth College, 2012, ill. p.52
Jose Clemente Orozco: Pintura y verdad, Jalisco, Mexico: Instituto Cultural Cabanas, 2010, pp.166-181, ill. pp.178.
Editorial Clio, Orozco segun Orozco, (Video-in Spanish), Delagacion Coyoacan, Mexico: Editorial Clio, 1998, approx. 43 minutes.
The Past and Future of Mexican Democracy and Development, The Montgomery Endowment, POSTER & BROCHURE for panel discussion 13 Carpenter Hall, May 24, 1995
series Mexican Art Abroad, Mexico: Grupo Azabache, September 1994.
Master Works of Mexican Art in the World, Mexican Ministry of Foreign Affairs, Institute Matias Romero for Diplomatic Studies, 1993
David Craven, Penelope Curtis (editor), Myth-Making: Abstract Expressionist Painting from the United States, Liverpool: Tate Gallery, 1992, p. 21, ill. p. 20.
Commissioned by the Trustees of Dartmouth College, Hanover, New Hampshire, 1932.
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