Signed, east wall (Panel 11): J. C. Orozco / Febrero 13, 1934
Public Art, Reserve Corridor, Baker-Berry Library, Dartmouth College, Hanover, New Hampshire, 1934.
series Mexican Art Abroad, Mexico: Grupo Azabache, September 1994.
The Past and Future of Mexican Democracy and Development, The Montgomery Endowment, POSTER & BROCHURE for panel discussion 13 Carpenter Hall, May 24, 1995
Master Works of Mexican Art in the World, Mexican Ministry of Foreign Affairs, Institute Matias Romero for Diplomatic Studies, 1993
Mary K. Coffey, Sharon Lorenzo, Lisa Mintz Messinger, Stephen Polcari, Men of Fire, Jose Clemente Orozco and Jackson Pollock, Hanover: Trustees of Dartmouth College, 2012, ill. p.52
Jose Clemente Orozco: Pintura y verdad, Jalisco, Mexico: Instituto Cultural Cabanas, 2010, pp.166-181, ill. pp.178.
Editorial Clio, Orozco segun Orozco, (Video-in Spanish), Delagacion Coyoacan, Mexico: Editorial Clio, 1998, approx. 43 minutes.
David Craven, Penelope Curtis (editor), Myth-Making: Abstract Expressionist Painting from the United States, Liverpool: Tate Gallery, 1992, p. 21, ill. p. 20.
Commissioned by the Trustees of Dartmouth College, Hanover, New Hampshire, 1932.
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