Profile, Sound Image Made by Mahler's 6th Symphony
Sonia Landy Sheridan, American, 1925 - 2021
January 12, 1978
Sound Image: VQC powder on paper
Overall: 11 1/2 × 8 9/16 in. (29.2 × 21.8 cm)
Hood Museum of Art, Dartmouth: Gift of the artist
Place Made: United States, North America
Not on view
Inscribed, dated, and signed, in ink, lower center: Made by Mahler's 6 Symphany - ink part on Janaury 12, 1978 Sonia Sheridan
MUS 23, Timbre and Form, Richard Beaudoin, Spring 2019
Energized Artscience, The Museum of Science and Industry, Chicago, Illinois, May 3-June 4, 1978.
The Art of Sonia Landy Sheridan, Owen Robertson Cheatham and Friends Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 10, 2009-January 3, 2010.
Sonia Landy Sheridan, Patterns in the Flow, 2005, no page number; Sonia Landy Sheridan, Energized Artscience, Saint Paul: A Generative Systems Publication, 1978, p. 52; Gemma Cowan, Sonia Landy Sheridan: A Gender-ative Introduction to the Copy/Artist/Machine Dissertation, London: School of History of Art, Film and Visual Media, Birkbeck College, University of London, 2004, p. 47.
Helene E. Roberts, Ed., Visual Resources: An International Journal of Documentation, Abingdon, Oxon, UK: Routledge of Taylor & Francis, December 2006, 427 pp., B&W ill. p. 335.
Diane Kirkpatrick, Katherine Hart, Mary Flanagan, The Art of Sonia Landy Sheridan, Hanover: Trustees of Dartmouth College, University Press of New England, 2009, ill, p. 30, p. 58, Cat. No. 84.
The artist, Hanover, New Hampshire; given to present collection, 2004.
Sonia Landy Sheridan - Diane Kirkpatrick Hood Inventory List #473: profile, sound image made by Mahler's 6th Symphony playing through loudspeaker on Jan. 12. 1978 [Note: Sonia used grease on face which was then pressed on plain paper. Paper then sprinkle
This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.
We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu