2 Alexandras, Jeanne, Marine et Gaelle, Montalivet, France, number 4 of 4; from the portfolio A Portfolio for the Defense
Jock Sturges, American, born 1947
1987
Gelatin silver print
23/60
Sheet: 11 × 14 in. (27.9 × 35.6 cm)
Image: 9 3/8 × 12 13/16 in. (23.8 × 32.5 cm)
Hood Museum of Art, Dartmouth: Lent by Paul S. Cantor, Class of 1960
EL.PH.991.4.4
Geography
Place Made: United States, North America
Period
20th century
Object Name
Photograph
Research Area
Photograph
Not on view
Inscriptions
Signed, in graphite, on reverse, center: Sturges '87 c [encircled] 23/60; inscribed, in graphite, on reverse, lower left: 2 Alexandras, Jeanne, Marine et Gaelle, Montalivet, France 1987.
Course History
SART 29, Photography I, Virginia Beahan, Summer 2013
WRIT 5, Memoirs of Family, Ellen Rockmore, Fall 2013
WGST 10, Sex, Gender, and Society, Giavanna Munafo, Fall 2013
WGST 37.2, GEOG 41, Gender, Space and Islam, Jennifer Fluri, Fall 2013
NAS 42, WGST 40, Gender Topics in Native American Life, Vera Palmer, Fall 2013
ANTH 31, WGST 36, Gender in Cross-Cultural Perspective, Lauren Gulbas, Fall 2013
NAS 42, WGST 40, Gender Topics in Native American Life, Vera Palmer, Fall 2013
SART 30, Photography II, Fall 2013
SART 29, Photography I, Fall 2013
SART 29, Photography I, Virginia Beahan, Winter 2014
WGST 65.6, Radical Sexuality: Of Color, Wildness and Fabulosity, Eng-Beng Lim, Winter 2015
SART 17.9, The Photographer as Activist: Making Art Inspired by the Hood Museum's Collection , Virginia Beahan, Winter 2015
SART 30, SART 75, Photography II and III, Virginia Beahan, Spring 2019
SART 29, Photography I, Virginia Beahan, Summer 2019
SART 29/SART 75, Photography 1/Photography 3, Virginia Beahan, Winter 2020
Exhibition History
Shadowplay: Transgressive Photography from the Hood Museum of Art, Owen Robertson Cheatham and Friends Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 10-December 8, 2013.
Provenance
Paul S. Cantor, New York, New York; lent to present collection, 1991.
This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.
We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu