Joseph Edem, and his wife Endurance and children Godfreedom, aged 10, and Josephine, 12, stand in front of thier Igobeni House, Nigeria; from the portolio Drowning World
Gideon Mendel, South African, born 1959
November 2012
Giclée print on Hahnemühle Photo Rag paper
2/10
Image: 9 13/16 × 9 13/16 in. (25 × 25 cm)
Sheet: 11 13/16 × 11 13/16 in. (30 × 30 cm)
Hood Museum of Art, Dartmouth: Lent by Andrew E. Lewin, Class of 1981
EL.2013.48.7
Geography
Place Made: South Africa, Southern Africa, Africa
Period
21st century
Object Name
Photograph
Research Area
Photograph
Africa
Not on view
Inscriptions
Signed, on reverse, lower right, in black ink: Gideon Mendell 7/12/12
Course History
GEOG 11, Qualitative Methods and the Research Process in Geography, Jennifer Fluri, Fall 2013
ENVS 7, Ecopsychology, Terry Osborne, Winter 2014
WGST 96, Times of Crisis, Annabelle Martin, Spring 2014
WRIT 5, Writing into the Wilderness, Nancy Crumbine, Fall 2014
WRIT 5, Writing into the Wilderness, Nancy Crumbine, Fall 2014
SART 17.9, The Photographer as Activist: Making Art Inspired by the Hood Museum's Collection , Virginia Beahan, Winter 2015
ENVS 7.3, Ecopsychology, Terry Osborne, Winter 2015
WRIT 5, Writing Into the Wilderness, Nancy Crumbine, Winter 2015
WRIT 5, Writing Into the Wilderness, Nancy Crumbine, Winter 2015
ENGS 7.2, Climate Change, Mary Albert, Winter 2015
WRIT 41, PBPL 41, Writing and Speaking Public Policy, Julie Kalish, Spring 2015
ENGS 7.02, Climate Change, Mary Albert, Winter 2019
ENVS 7, Ecopyschology, Terry Osborne, Winter 2019
ANTH 12.26, GEOG 68, Environmental Justice, Maron Greenleaf, Winter 2019
Exhibition History
Waterways: Tension and Flow, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 4-August 23, 2015.
Provenance
Andrew E. Lewin, New York, New York; lent to present collection, 2013.
This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.
We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu