Trafalgar Square, London
Everett Shinn, American, 1876 - 1953
1900
Pastel on tan machine made wove paper
Sheet: 9 7/8 × 14 in. (25.1 × 35.5 cm)
Hood Museum of Art, Dartmouth: Purchased through the Julia L. Whittier Fund
D.951.48
Geography
Place Made: United States, North America
Period
20th century
Object Name
Drawing
Research Area
Drawing
Not on view
Inscriptions
Signed and inscribed, along lower edge: E SHINN TRAFALGAR SQUARE - LONDON; inscribed by artist, in pen and ink, on reverse upper right: Everett Shinn / 122 East 19th St. / New York; in later hand, in graphite, lower left: Bought May 4, 1951 / from Prof. Rees H. Bowen / 8 Downing Road, Hanover; Stamped: Dartmouth College Dept. of Art and Archaeology; Watermark: TOLLE
Course History
ARTH 17, The Power of Place: Urban and Rural Images in American Art, 1900-1945, Sarah Powers, Winter 2014
Exhibition History
American Paintings, Barrows Print Room, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, January 7-February 1, 1974.
City Club, [New York?], 1901-2.
Eighth Annual Exhibition of American Art, Cincinnati Museum Association, no. 86, 1901.
Exhibition of Pastels: Paris Types by Everett Shinn, Boussod, Valadon, and Co., New York, not included in checklist, January-February 1901.
From Copley to Dove: American Drawings and Watercolors at Dartmouth, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, (no cat.), March 11-May 28, 1989.
Graphic Styles of the American Eight, Utah Museum of Fine Arts, University of Utah, Salt Lake City, Utah, no. 100, February 29-April 11, 1976.
Marks of Distinction: Two Hundred Years of American Drawings and Watercolors from the Hood Museum of Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 29-May 29, 2005; Grand Rapids Art Museum, Grand Rapids, Michigan, June 24-September 11, 2005; National Academy Museum, New York City, New York, October 20-December 31, 2005.
Second Annual Exhibition of the Fellowship of the Pennsylvania Academy of the Fine Arts, Pennsylvania Academy of Fine Arts, Philadelphia, no. 174, 1901.
Special Exhibition of Oil Paintings by American Artists, St. Louis Museum of Art, no. 45, 1901.
The Nude: Selections from the Permanent Collection, Lower Jewett Corridor, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, April 20-June 17, 1984.
Works on Paper by American Urban Realists, [American Works on Paper wall], Israel Sack Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July-October, 2010.
Works on Paper: Nineteenth and Twentieth Century Drawings and Watercolors from the Dartmouth College Collection, Carpenter Galleries, Dartmouth College, Hanover, New Hampshire, no. 25, May 30-September 21, 1975.
Publication History
Graphic Style of the American Eight, Salt Lake City: Utah Museum of Fine Arts, University of Utah, 1976, p. 55, no. 100.
Franklin W. Robinson, [et al.], Works on Paper: Nineteenth and Twentieth Century Drawings and Watercolors from the Dartmouth College Collection, Hanover, N.H.: Trustees of Dartmouth College, 1975, pp. 39-40.
Barbara J. MacAdam, Marks of Distinction: Two Hundred Years of American Drawings and Watercolors from the Hood Museum of Art, Manchester, Vermont: Hudson Hills Press, 2005, pp. 124, 259-260, ill. p. 125, no. 33.
Barbara J. MacAdam, Marks of Distinction: Two Hundred Years of American Drawings and Watercolors from the Hood Museum of Art, American Art Review, Vol. XVII No. 2, April 2005, pp. 86-93, ill p. 91
Provenance
[Kraushaar Galleries, New York?]; Rees Higgs Bowen, Hanover, New Hampshire; sold to present collection, 1951.
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