Three Female Nude Studies

Henri Matisse, French, 1869 - 1954

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about 1906-1908

Pen and black ink with brush on beige wove paper (Tushe sketch)

Overall: 12 1/4 × 9 1/4 in. (31.1 × 23.5 cm)

Hood Museum of Art, Dartmouth College: Gift of A. Conger Goodyear

D.940.22

Geography/Culture

Europe, France

Period

20th century

Object Name

Drawing

Classification

Drawing

Not on view

Inscription

Signed, lower right: Henri Matisse

Course History

SART 22, Figure Drawing, Jerry Auten, Winter 2020

SART 15.02, Drawing I, Lucy Mink Covello, Winter 2020

WRIT 7.2, Writers on Writing, Wendy Piper, Spring 2015

THEA 17, 19th and 20th century Performance, Laura Edmondson, Spring 2014

Writing 7.2, Writers on Writing, Wendy Piper, Spring 2014

SART 15, Drawing I, Kate Emlen, Fall 2013

SART 20, SART 71, Drawing II, Drawing III, Jennifer Caine, Spring 2013

Exhibition History

Works on Paper: Nineteenth and Twentieth Century Drawings and Watercolors from the Dartmouth College Collection, Carpenter Galleries, Dartmouth College, Hanover, New Hampshire, May 30-September 21, 1975.

The Sculptor Draws, Williams College Museum of Art, Williams College, Williamstown, Massachusetts, November 1-20, 1966.

The Nude, an exhibition in conjunction with Art 1, Lower Jewett Corridor, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, October 12-November 25, 1979.

The Nude, South Lobby, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, September 29-October 22, 1976.

The Nude, Barrows Print Room, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, September 27-November 3, 1974.

The Art of Spectatorship: A History of Viewing from the Renaissance to the Present Day, Harrington Gallery Teaching Exhibition, Art History 2, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 19-April 6, 2008.

Rococo to Modernism: European Drawings and Watercolors from the Permanent Collection and Dartmouth's Alumni, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 30-May 30, 2004.

Lower Jewett Corridor, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, June 1973.

Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 7-May 18, 1997.

Image of Women, Carpenter Galleries, Dartmouth College, Hanover, New Hampshire, January 30-February 29, 1976.

Figural Sculpture: Selections from the Permanent Collection, SArt 16, Harrington Gallery Teaching Exhibition, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 3-October 23, 1994

European Art at Dartmouth: Highlights from the Hood Museum of Art, William B. Jaffe and Evelyn A. Jaffe Hall Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 30, 2008-March 8, 2009.

Drawings at Dartmouth, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 27-November 27, 1988.

Drawing from the Collection, Harrington Gallery Teaching Exhibition, SArt15, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 9-October 22, 2000.

Cubism and its Influence, Barrows Print Room, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, February 17-March 30, 1975.

Churchill P. Lathrop Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 23-February 18, 2001.

Churchill P. Lathrop Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 9, 1994-March 24, 1995.

Carnegie Institute, January-March 1928.

20th Century Masters from the Permanent Collection, Barrows Gallery, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, February 3-March 5, 1978.

Publication History

T. Barton Thurber, European Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2008, pp. 196-197, ill. p.196, no. 123.

John Jacobus, Henri Matisse, New York, 1973, p. 65, pl. 83.

Franklin W. Robinson, [et al.], Works on Paper: Nineteenth and Twentieth Century Drawings and Watercolors from the Dartmouth College Collection, Hanover, N.H.: Trustees of Dartmouth College, 1975, pp. 35-36.

Provenance

John Quinn Estate (1870-1924), New York, New York; sold to A. Conger Goodyear (1877-1964), January 20, 1926; given to present collection, 1940.

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.

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