Three Female Nude Studies
Henri Matisse, French, 1869 - 1954
about 1906-1908
Pen and black ink with brush on beige wove paper (Tushe sketch)
Overall: 12 1/4 × 9 1/4 in. (31.1 × 23.5 cm)
Hood Museum of Art, Dartmouth: Gift of A. Conger Goodyear
D.940.22
Geography
Place Made: France, Europe
Period
20th century
Object Name
Drawing
Research Area
Drawing
Not on view
Inscriptions
Signed, lower right: Henri Matisse
Course History
SART 20, SART 71, Drawing II, Drawing III, Jennifer Caine, Spring 2013
SART 15, Drawing I, Kate Emlen, Fall 2013
Writing 7.2, Writers on Writing, Wendy Piper, Spring 2014
THEA 17, 19th and 20th century Performance, Laura Edmondson, Spring 2014
SART 15, Drawing I, Karol Kawiaka, Fall 2014
WRIT 7.2, Writers on Writing, Wendy Piper, Spring 2015
SART 15.02, Drawing I, Lucy Mink Covello, Winter 2020
SART 22, Figure Drawing, Jerry Auten, Winter 2020
SART 20/SART 71, Drawing II/Drawing III, Jack Wilson, Fall 2022
Exhibition History
20th Century Masters from the Permanent Collection, Barrows Gallery, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, February 3-March 5, 1978.
Carnegie Institute, January-March 1928.
Churchill P. Lathrop Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 9, 1994-March 24, 1995.
Churchill P. Lathrop Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 23-February 18, 2001.
Cubism and its Influence, Barrows Print Room, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, February 17-March 30, 1975.
Drawing from the Collection, Harrington Gallery Teaching Exhibition, SArt15, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 9-October 22, 2000.
Drawings at Dartmouth, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 27-November 27, 1988.
European Art at Dartmouth: Highlights from the Hood Museum of Art, William B. Jaffe and Evelyn A. Jaffe Hall Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 30, 2008-March 8, 2009.
Figural Sculpture: Selections from the Permanent Collection, SArt 16, Harrington Gallery Teaching Exhibition, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 3-October 23, 1994
Image of Women, Carpenter Galleries, Dartmouth College, Hanover, New Hampshire, January 30-February 29, 1976.
Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 7-May 18, 1997.
Lower Jewett Corridor, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, June 1973.
Rococo to Modernism: European Drawings and Watercolors from the Permanent Collection and Dartmouth's Alumni, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 30-May 30, 2004.
The Art of Spectatorship: A History of Viewing from the Renaissance to the Present Day, Harrington Gallery Teaching Exhibition, Art History 2, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 19-April 6, 2008.
The Nude, an exhibition in conjunction with Art 1, Lower Jewett Corridor, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, October 12-November 25, 1979.
The Nude, Barrows Print Room, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, September 27-November 3, 1974.
The Nude, South Lobby, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, September 29-October 22, 1976.
The Sculptor Draws, Williams College Museum of Art, Williams College, Williamstown, Massachusetts, November 1-20, 1966.
Works on Paper: Nineteenth and Twentieth Century Drawings and Watercolors from the Dartmouth College Collection, Carpenter Galleries, Dartmouth College, Hanover, New Hampshire, May 30-September 21, 1975.
Publication History
Franklin W. Robinson, [et al.], Works on Paper: Nineteenth and Twentieth Century Drawings and Watercolors from the Dartmouth College Collection, Hanover, N.H.: Trustees of Dartmouth College, 1975, pp. 35-36.
John Jacobus, Henri Matisse, New York, 1973, p. 65, pl. 83.
T. Barton Thurber, European Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2008, pp. 196-197, ill. p.196, no. 123.
Provenance
John Quinn Estate (1870-1924), New York, New York; sold to A. Conger Goodyear (1877-1964), January 20, 1926; given to present collection, 1940.
This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.
We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu