Agnes Martin, American, 1912 - 2004
Pen and red and gray ink and gray wash on wove paper
Image: 7 13/16 × 7 13/16 in. (19.9 × 19.9 cm)
Sheet: 11 7/8 × 11 5/8 in. (30.2 × 29.6 cm)
Hood Museum of Art, Dartmouth: Purchased through the William S. Rubin Fund and the Contemporary Art Fund
Place Made: United States, North America
Not on view
Inscribed, in graphite, upper center: Top; inscribed, in graphite, lower left: 77 [inventory number, Robert Elkon Gallery]; signed and dated, in pen and ink, on frame backing: a. martin / 1967
SART 15, Drawing I, Colleen Randall, Winter 2013
SART 20, SART 71, Drawing II, Drawing III, Colleen Randall, Fall 2012
SART 20, SART 71, Drawing II, Drawing III, Jennifer Caine, Spring 2013
SART 15, Drawing I, Gerald Auten, Spring 2012
SART 15, Drawing I, Colleen Randall, Fall 2013
SART 20, SART 71, Drawing II, Drawing III, Colleen Randall, Fall 2013
PHIL 23, The Philosophy of Art, John Kulvicki, Winter 2014
SART 20, SART 71, Drawing II/III, Colleen Randall, Fall 2014
SART 15, Drawing I, Colleen Randall, Spring 2015
WRIT 7 , Religion and Literature: Re-visioning the Natural, Nancy Crumbine, Spring 2015
SART 15, Drawing I, Viktor Witkowski, Winter 2019
SART 20/SART 71, Drawing II/Drawing III, Colleen Randall, Fall 2019
SART 15.01, Drawing I, Viktor Witkowski, Winter 2020
Marks of Distinction: Two Hundred Years of American Drawings and Watercolors from the Hood Museum of Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 29-May 29, 2005; Grand Rapids Art Museum, Grand Rapids, Michigan, June 24-September 11, 2005; National Academy Museum, New York City, New York, October 20-December 31, 2005.
The Expanding Grid, Churchill P. Lathrop Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 7-August 27, 2012.
The Object World, Harrington Gallery Teaching Exhibition, ARTH2, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, February 5-March 15, 2015.
Barbara J. MacAdam, Marks of Distinction, Two Hundred Years of American Drawings and Watercolors from the Hood Museum of Art, Manchester, Vermont: Hudson Hills Press, 2005, pp. 25, 39, 42, 216, 274-275, ill. p. 217, no. 77.
James A. W. Heffernan, Cultivating Picturacy: Visual Art and Verbal Interventions, Waco, TX: Baylor University Press, 2006, ill, p. 289, fig. 13.1
Brian Kennedy, Sean Scully: The Art of the Stripe, Hanover: Trustees of Dartmouth College, 2008, ill. p. 68.
Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009 p.172, no.148.
The artist; Robert Elkon Gallery, New York; Pace Gallery, New York; private collection, New York; private collection, Switzerland; represented by James Kelly Contemporary Inc. (art dealer), New York, by 2003; sold to present collection, 2003.
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