Untitled

Agnes Martin, American, 1912 - 2004

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1967

Pen and red and gray ink and gray wash on wove paper

Image: 7 13/16 × 7 13/16 in. (19.9 × 19.9 cm)

Sheet: 11 7/8 × 11 5/8 in. (30.2 × 29.6 cm)

Hood Museum of Art, Dartmouth: Purchased through the William S. Rubin Fund and the Contemporary Art Fund

D.2003.51

Geography

Place Made: United States, North America

Period

20th century

Object Name

Drawing

Research Area

Drawing

Not on view

Inscriptions

Inscribed, in graphite, upper center: Top; inscribed, in graphite, lower left: 77 [inventory number, Robert Elkon Gallery]; signed and dated, in pen and ink, on frame backing: a. martin / 1967

Course History

SART 15, Drawing I, Colleen Randall, Winter 2013

SART 20, SART 71, Drawing II, Drawing III, Colleen Randall, Fall 2012

SART 20, SART 71, Drawing II, Drawing III, Jennifer Caine, Spring 2013

SART 15, Drawing I, Gerald Auten, Spring 2012

SART 15, Drawing I, Colleen Randall, Fall 2013

SART 20, SART 71, Drawing II, Drawing III, Colleen Randall, Fall 2013

PHIL 23, The Philosophy of Art, John Kulvicki, Winter 2014

SART 20, SART 71, Drawing II/III, Colleen Randall, Fall 2014

SART 15, Drawing I, Colleen Randall, Spring 2015

WRIT 7 , Religion and Literature: Re-visioning the Natural, Nancy Crumbine, Spring 2015

SART 15, Drawing I, Viktor Witkowski, Winter 2019

SART 20/SART 71, Drawing II/Drawing III, Colleen Randall, Fall 2019

SART 15.01, Drawing I, Viktor Witkowski, Winter 2020

SART 20, SART 71, Drawing II,III, Jack Wilson, Fall 2022

Music 3.07, The Minimalist Impulse, Victoria Aschheim - OPEN HOURS, Winter 2023

Music 3.07, The Minimalist Impulse, Victoria Aschheim - OPEN HOURS 1, Winter 2023

Music 3.07, The Minimalist Impulse, Victoria Aschheim - OPEN HOURS 2, Winter 2023

Studio Art 15.02, Drawing I, Viktor Witkowski, Summer 2024

Exhibition History

Marks of Distinction: Two Hundred Years of American Drawings and Watercolors from the Hood Museum of Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 29-May 29, 2005; Grand Rapids Art Museum, Grand Rapids, Michigan, June 24-September 11, 2005; National Academy Museum, New York City, New York, October 20-December 31, 2005.

The Expanding Grid, Churchill P. Lathrop Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 7-August 27, 2012.

The Object World, Harrington Gallery Teaching Exhibition, ARTH2, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, February 5-March 15, 2015.

Publication History

Barbara J. MacAdam, Marks of Distinction, Two Hundred Years of American Drawings and Watercolors from the Hood Museum of Art, Manchester, Vermont: Hudson Hills Press, 2005, pp. 25, 39, 42, 216, 274-275, ill. p. 217, no. 77.

James A. W. Heffernan, Cultivating Picturacy: Visual Art and Verbal Interventions, Waco, TX: Baylor University Press, 2006, ill, p. 289, fig. 13.1

Brian Kennedy, Sean Scully: The Art of the Stripe, Hanover: Trustees of Dartmouth College, 2008, ill. p. 68.

Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009 p.172, no.148.

Provenance

The artist; Robert Elkon Gallery, New York; Pace Gallery, New York; private collection, New York; private collection, Switzerland; represented by James Kelly Contemporary Inc. (art dealer), New York, by 2003; sold to present collection, 2003.

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