Fox Glove (Foxgloves)

Blanche Lazzell, American, 1878 - 1956

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1920

Charcoal on gray laid (Arches Ingres MBM) paper

Sheet (Irreg.): 16 5/16 in. (41.4 cm)

Sheet: 12 1/2 in. (31.8 cm)

Hood Museum of Art, Dartmouth College: Purchased through the Katharine T. and Merrill G. Beede 1929 Fund

D.2002.24

Geography/Culture

North America, United States

Period

20th century

Object Name

Drawing

Classification

Drawing

On view

Inscription

Signed and dated, in graphite, lower right: Blanche Lazzell 1920; inscribed, in graphite, lower center: Fox Glove; inscribed, in graphite, on reverse: #11 Watermark: MBM [Arches Ingres MBM]

Course History

SART 15, Drawing I, Jack Wilson, Winter 2020

SART 15.01, Drawing I, Jack Wilson, Spring 2019

SART 15.02, Drawing I, Jack Wilson, Spring 2019

SART 15, Drawing I, Jack Wilson, Summer 2014

ARTH 17, The Power of Place: Urban and Rural Images in American Art, 1900-1945, Sarah Powers, Winter 2014

SART 15, Drawing I, Jack Wilson, Katherine Hart, Spring 2012

Exhibition History

The Decade of Modernism: Selected Paintings, Sculptures, and Works on Paper, 1910-1920, Churchill P. Lathrop Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, (no cat.), September 28, 2002-2003.

Marks of Distinction: Two Hundred Years of American Drawings and Watercolors from the Hood Museum of Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 29-May 29, 2005; Grand Rapids Art Museum, Grand Rapids, Michigan, June 24-September 11, 2005; National Academy Museum, New York City, New York, October 20-December 31, 2005.

Blanche Lazzell: American Modernist, Michael Rosenfeld Gallery, New York, New York, (no cat. no.), September 7-October 28, 2000.

Publication History

Michael Rosenfeld Gallery, Blanche Lazzell: American Modernist, New York: Michael Rosenfeld Gallery, 2000, illus. p. 19.

Barbara J. MacAdam, Marks of Distinction: Two Hundred Years of American Drawings and Watercolors from the Hood Museum of Art, Manchester, Vermont: Hudson Hills Press, 2005, pp. 23, 42, 140, 263, ill. p. 141, no. 40.

Provenance

Estate of the artist; sold to Martin Diamond (art dealer), New York, New York; to Michael Rosenfeld Gallery, New York, 2000; sold to present collection, 2002.

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.

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