Mary Pickford and her mother and niece Gwyne

Nelson Evans, American, 1889 - 1922

Share

1921

Black and white vintage print

Image: 7 3/8 × 9 1/4 in. (18.7 × 23.5 cm)

Sheet: 7 3/8 × 9 1/4 in. (18.7 × 23.5 cm)

Hood Museum of Art, Dartmouth: The John Kobal Foundation Collection; Purchased through the Mrs. Harvey P. Hood W'18 Fund

2019.57.4347

Geography

Place Made: United States, North America

Period

20th century

Object Name

Photograph

Research Area

Photograph

Not on view

Inscriptions

Verso: Upper center, typed in black ink on white paper, "Mary Pickford, the mother she worshipped and her sister Lottie's littele girl Gwynne. She later married United Artist executive, (the studio her aunt helped to found) Bud Ornstein. Evans was not the only man to photograph this most photographed of stars but when, 40 years later she wrote her autobiography, SUNSHINE AND SHADOW, the picture Mary chose to remember herselv=f with her mother, was from this session by Evans." / Center, in graphite, "Mary Pickford and her mother" and, stamped in black ink, partial, "New York Reproduction of this photograph must carry our credit line This picture is loaned for one reproduction only and must not be sold, loaned or syndicated. Must not be used for advertising without written permission" and, printed in black ink on white label, "Please return Kobal Collection 38 Drayton Court Drayton Gardens London SW10 9RH Telephone: 01-373 9366" / Lower left, stamped in black ink, "Culver Service 205 East 42nd Street New York Reproduction of this photograph must carry our credit line This picture is loaned for one reproduction only and must not be sold, loaned or syndicated. Must not be used for advertising without written permission" / Lower margin, in graphite, "Mrs Charlotte Pickford - Mary Pickford and Gwynne Pickford"

Provenance

John Kobal Foundation Limited, London, England; sold to present collection, 2019.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu