Ancestor Beadwork Prism.4. Rebel

Gina Adams, Ojibwa / American, born 1965, Anishinaabe (Chippewa / Ojibwa), Woodlands

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2016

Digital intervention on an archival photograph

Hood Museum of Art, Dartmouth College: Purchased through the Acquisition and Preservation of Native American Art Fund, the Elizabeth and David C. Lowenstein ‘67 Fund, and the Alvin and Mary Bert Gutman 1940 Acquisition Fund

© Gina Adams Image courtesy the artist

2018.15.4

Geography/Culture

North America, United States

Period

21st century

Object Name

Photograph

Classification

Native American

Native American: Woodlands

Photograph

On view

Exhibition History

Reconstitution, Dorothy and Churchill P. Lathrop Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 2-May 31, 2020.

Its Honor is Here Pledged, AVA Gallery and Art Center, Lebanon, New Hampshire; September 9–October 12, 2016

During her research at the National Museum of the American Indian in Washington, DC, Gina Adams happened upon images of her ancestors. These photographs—taken in boarding schools that forced the assimilation of Indigenous youths or as portraits of tribal leaders involved in diplomatic relations—inspired the Ancestor Beadwork Prism series. Adams electronically composes colorful patterning, or “digital beadwork prisms,” derived from the carpets and curtains in the original photographs, their sharp, colorful patterning contrasting with the grainy archival images of her ancestors. This imagery honors Adams’s ancestors and other figures who have been erased from historical narratives, including Frances Densmore (1867–1957). Densmore spent decades with the Smithsonian Institution’s Bureau of American Ethnology studying and preserving Native music, but was largely uncredited compared to her male counterparts. According to the artist, Densmore spent a lot of time with Adams’s great, great uncle Mishugiiziguk, an elder respected across the Great Lakes. Adams hopes to empower future generations to continue striving for representation, creating space, and enacting change.

Publication History

John R. Stomberg, The Hood Now: Art and Inquiry at Dartmouth, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2019, p. 50, ill. fig. 8.4.

Provenance

The artist, Longmont, Colorado; sold to present collection, 2018.

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.

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