Raft Lowering, Central Havana

Janis Lewin, American, born 1949

Share

1994 [printed 2015]

Color photograph

2/15

Image: 7 13/16 × 11 1/4 in. (19.9 × 28.6 cm)

Sheet: 10 5/8 × 16 9/16 in. (27 × 42.1 cm)

Hood Museum of Art, Dartmouth: Purchased through the Claire and Richard P. Morse 1953 Fund, the Robert J. Strasenburgh II 1942 Fund, the Contemporary Art Fund, the Elizabeth and David C. Lowenstein '67 Fund, the Olivia H. Parker and John O. Parker '58 Acquisition Fund, the Virginia and Preston T. Kelsey 1958 Fund and the Sondra and Charles Gilman Jr. Foundation Fund

2017.5.6

Geography

Place Made: Cuba, Caribbean, Central America

Period

20th century

Object Name

Photograph

Research Area

Photograph

Not on view

Inscriptions

Signed, dated, and inscribed, in graphite, on reverse, bottom edge: 2/15 Havana, Cuba 1994 Janis Lewin

Label

In 1994, responding to mounting public pressure, Fidel Castro temporarily lifted the ban on travel from Cuba, and the largest number of people since 1980 left the island. Facing an arduous journey in hopes of radical change, these Cuban rafters, or balseros, become pilgrims. Moving from home to the unknown, they sought total transformation of their circumstances.

Janis Lewin’s photographs capture powerful scenes of the rafters’ departures. Images of migrants moving rafts through the streets convey excitement and urgency through the swells of people and the tension of the bodies. In Raft Lowering, we find a man looking back at us, his expression filled with hope, joy, and anticipation. Rafters Goodbye, however, shows the bittersweet nature of the departure and the anxieties associated with the trip. Setting out meant staking their lives on the hope of reaching the United States, with the understanding that a return to Cuba would be improbable.

From the 2022 exhibition A Space for Dialogue 108, Journeys Beyond: Faces and Forms of Pilgrimage, curated by Emily Charland '19, Erbe Intern

Course History

COLT 10.21, Coming to America, Gerd Gemunden, Spring 2019

Exhibition History

A Space for Dialogue 108, Journeys Beyond: Faces and Forms of Pilgrimage, Alvin P. Gutman Gallery, Hood Museum of Art, Dartmouth College, Hanover New Hampshire, August 27 - October 22, 2022.

Provenance

Big Town Gallery, Rochester, Vermont; sold to present collection, 2017.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu