Crucifix

Limoges, French

Share

See Previous Article See next Article

about 1200

Copper, gilt, engraved and inlaid with champleve enamel

Overall: 6 × 3 3/4 × 3/8 in. (15.2 × 9.5 × 0.9 cm)

Weight: 150 g (0.3 lb.)

Hood Museum of Art, Dartmouth: Roger Arvid Anderson Collection - 250th Anniversary Gift, 1769-2019

2016.64.200

Geography

Place Made: France, Europe

Period

1000-1400

Object Name

Religious Object

Research Area

Sculpture

Not on view

Inscriptions

Obverse: inscribed, above Christ's halo: IHS / XPS

Course History

ARTH 15.1, Gothic Art, Jane Carroll, Spring 2019

Exhibition History

An Exhibition of Medieval Renaissance and Islamic Works of Art, Newhouse Galleries, New York, New York, in conjunction with Trinity Fine Art Ltd., London and Michael Tollemache Ltd., London, November 9-22, 1995.

European Bronzes from the Collection of Roger Arvid Anderson, Class of 1968, Gene Y. Kim, Class of 1985, Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 19, 1996-June 22, 1997, no. 1.

Gene Y. Kim, Class of 1985, Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 21, 1998-August 24, 2002.

Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 24, 2002-January 7, 2005.

Publication History

Roger Arvid Anderson, The Roger Arvid Anderson Collection, Medals, Medallions, Plaquettes and Small Reliefs, Paintings, Sculpture, Works on Paper and Textiles, San Francisco: Roger Arvid Anderson (published privately), design by David L. Wilson, 2015, p. 108.

An Exhibition of Medieval Renaissance and Islamic Works of Art, New York, New York: Newhouse Galleries, catalogue no. 10, p. 30, 1995.

Provenance

Trinity Fine Art, London; sold to Roger Arvid Anderson, San Francisco, California, 1995; lent to present collection, 1995; given to present collection, 2016.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu