Vulcan at an Anvil with an Angel and Cupid
attributed to Galeazzo Mondella, called Moderno, Italian, 1467 - 1528
about 1500
Bronze
Overall: 1 5/16 × 1 5/16 × 1/8 in. (3.3 × 3.3 × 0.3 cm)
Weight: 11 g
Hood Museum of Art, Dartmouth: Roger Arvid Anderson Collection - 250th Anniversary Gift, 1769-2019
2016.64.166
Geography
Place Made: Italy, Europe
Period
1400-1600
Object Name
Sculpture: Plaquette
Research Area
Sculpture
On view
Label
The Greco-Roman god Vulcan was a master craftsman, and depictions of this strong, bearded, masculine figure toiling at his forge were popular among sculptors and metalworkers as a reflection of their own work. The three examples here vary in their size and intended function but share a focus on the labor of the mythological creator and his workshop rather than their products. The idealized bodies of Vulcan and his workers celebrate the process of metalworking and position sculptors as worthy of admiration for the physicality of their craft in addition to their artistic ingenuity.
From the 2024 exhibition Living with Sculpture: Presence and Power in Europe, 1400–1750, curated by Elizabeth Rice Mattison, Andrew W. Mellon Curator of Academic Programming and Curator of European Art and Ashley Offill, Curator of Collections
Course History
ARTH 84, Media and Meaning in Renaissance Sculpture, Adrian Randolph, Fall 2013
Exhibition History
Living with Sculpture: Presence and Power in Europe, 1400–1750, Citrin Family Gallery and Engles Family Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 23, 2024–March 22, 2025.
Renaissance and Mannerist Plaquettes and Medals from the Collection of Roger Arvid Anderson, Class of 1968, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 19-November 21, 2013.
Publication History
Roger Arvid Anderson, The Roger Arvid Anderson Collection, Medals, Medallions, Plaquettes and Small Reliefs, Paintings, Sculpture, Works on Paper and Textiles, San Francisco: Roger Arvid Anderson (published privately), design by David L. Wilson, 2015, p. 144.
Provenance
New York art market; sold to Roger Arvid Anderson, San Francisco, California, date unknown; lent to present collection, 2011; given to present collection, 2016.
Catalogue Raisonne
Kress Fig. 288 (No. 355)
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