Inscribed, on obverse, lower left: LEONELLVS; top: MARCHIO; lower right: ESTENSIS; inscribed, on reverse, top: OPVS; lower right to left: PISANI.PICTORIS
ARTH 84, Media and Meaning in Renaissance Sculpture, Adrian Randolph, Fall 2013
ARTH 16, Art, Architecture and Money in the Early Modern Period, Lauren Jacobi, Spring 2013
Renaissance and Mannerist Plaquettes and Medals from the Collection of Roger Arvid Anderson, Class of 1968, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 19-November 21, 2013.
From Altarpiece to Portrait: Assembling a European Collection, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 26, 2019-September 6, 2020.
Roger Arvid Anderson, The Roger Arvid Anderson Collection, Medals, Medallions, Plaquettes and Small Reliefs, Paintings, Sculpture, Works on Paper and Textiles, San Francisco: Roger Arvid Anderson (published privately), design by David L. Wilson, 2015, p. 12-13.
Adrian W. B. Randolph, Engaging Symbols: Gender, Politics, and Public Art in FIfteenth-century Florence, New Haven: Yale University Press, 2002, p. 90, fig. 2.3.
Cyril Humphris, London; sold to Roger Arvid Anderson, San Francisco, California, about 1988-1990; lent to present collection, 1998; given to present collection, 2016.
Kress, No. 6; Hill Corpus, No. 24
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