Aunt Tillie Saterwhite

Unknown American, American

Share

about 1860

Daguerreotype, sixth plate, housed in a half leather case

Overall: 3 11/16 × 3 1/4 × 3/8 in. (9.3 × 8.2 × 0.9 cm)

Hood Museum of Art, Dartmouth: Purchased through the Katharine T. and Merrill G. Beede 1929 Fund

2016.21

Geography

Place Made: United States, North America

Period

19th century

Object Name

Photograph

Research Area

Photograph

Not on view

Inscriptions

Inscribed, in graphite, on paper formerly encased with image: Aunt Tillie Saterwhite / on mother's side. She of / Cherokee blood.

Label

This simply-composed image and its plainly-attired subject are typical of daguerreotype portraits made for a middle class clientele, especially in more rural areas. The book she holds is a common prop suggestive of literacy and, if identifiable as a Bible, Christian faith.

A note enclosed with this daguerreotype refers to the subject as “Aunt Tillie Saterwhite [sic] . . . of Cherokee blood.” She may well be Matilda C. Satterwhite (1835–1901), who, according to the 1860 U.S. Census, was 23 at that time and living with her parents on their farm in Newberry, South Carolina. Although there is no documentation of Cherokee ancestry in her parents or grandparents, Newberry County had been Cherokee hunting grounds until the mid-1700s. At that time hostilities between the Cherokee and settlers ensued and lasted until 1761, when the Treaty of Charleston barred Cherokee occupation of the midlands. Although whites and enslaved African Americans made up most of the population in later years, a number of citizens had at least partial Cherokee heritage. As of 1990, there were over 300,000 Cherokee in South Carolina.

From the 2019 exhibition American Art, Colonial to Modern, curated by Barbara J. MacAdam, Jonathan L. Cohen Curator of American Art

Course History

Writing Program 5.25, Photographic Representations, Amanda Wetsel, Winter 2023

Writing Program 5.24, Photographic Representations, Amanda Wetsel, Winter 2023

Writing 5.24, Photographic Representations, Amanda Wetsel, Fall 2023

Writing 5.25, Photographic Representations, Amanda Wetsel, Fall 2023

English 52.20/African and African American Studies 82.11, Reading Between the Color Lines in 19th Century American Literature, Michael Chaney, Winter 2024

Writing 5.32, Photographic Representations, Amanda Wetsel, Winter 2024

Writing 5.33, Photographic Representations, Amanda Wetsel, Winter 2024

Exhibition History

American Art, Colonial to Modern, Israel Sack Gallery and Rush Family Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 26-July 21, 2019.

Provenance

Cowan Auctions, Inc., American History Sale, lot 17, June 13, 2014, Cincinnati, Ohio, sold to Michael Mattis and Judy Hochberg, Scarsdale, New York; on consignment to Gregory French, Early Photography, Jamaica Plain, Massachusetts; sold to present collection, 2016.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu