Désenchaînement II

Label

In Yoruba worldview, life follows a cyclical trajectory in which every individual experiences the physical world (Aye) and, upon death, returns to the spiritual realm (Orun), where they are reborn as a protective ancestral spirit. In exploring the voyage that bridges the secular and the spiritual, Julien Sinzogan draws connections to another significant voyage tied to his Beninese heritage: the Middle Passage of the transatlantic slave trade.

Masses of Egungun masqueraders, the visible manifestation of ancestral spirits, are portrayed alongside the distorted figures of enslaved people chained against slave ships. Dressed in colorful costumes symbolizing familial lineage and traditional clothing, the Egungun appear to be intervening in the physical world. Or perhaps they represent the freed souls of the ship’s recently deceased? In French, désenchaînement translates to "unchaining," the act of delivering someone from chains. Aside from distinguishing the spiritual from the earthly, could color also evoke hope and freedom?

From the 2022 exhibition A Space for Dialogue 107, Coloring the Western Canon, curated by Chloe Jung '23, Class of 1954 Intern

Course History

ENGL 62.22/AAAS 88.11, Atlantic Slavery to Atlantic Freedom, Alysia Garrison, Winter 2021

SART 25.01, Painting I, Viktor Witkowski, Winter 2022

SART 25.02, Painting I, Viktor Witkowski, Winter 2022

College Course 35.01, Color in Art & Philosophy, Viktor Witkowski and John Kulvicki, Winter 2023

Humanities 2.01, The Modern Labyrinth, Lucas Hollister, Petra McGillen, Andrea Tarnowski, Laura Edmondson, Winter 2023

Art History 20.04, Faith and Empire, Beth Mattison, Spring 2023

College Course 35.01, Color in Art & Philosophy, John Kulvicki and Viktor Witkowski, Winter 2024

History 85.01, African and African American Studies 88.23, The Black Atlantic, Ernesto Mercado-Montero, Winter 2024

Studio Art 25.01, Studio Art 31.01, Painting I, II, Daniele Genadry, Summer 2024

Exhibition History

A Space for Dialogue 107, Coloring the Western Canon, Chloe Jung, June 25 - August 21, 2022, Alvin P. Gutman Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire.

Inventory: New Works and Conversations around African Art, Friends Gallery/Owen Robertson Cheatham Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 16-March 13, 2016.

Provenance

October Gallery Trust, London; sold to present collection, 2015.

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