Black and White Flowers

Jim Dine, American, born 1935

Share

1977

Etching soft-ground etching, aquatint, drypoint, engraving and electric tools, printed in black on Fabriano Rosapina paper

Artist's Proof

Plate: 29 3/8 × 19 3/4 in. (74.6 × 50.2 cm)

Sheet: 39 1/8 × 27 3/4 in. (99.4 × 70.5 cm)

Frame: 41 1/8 × 29 5/8 in. (104.5 × 75.2 cm)

Hood Museum of Art, Dartmouth: Gift of Mitchell Friedman, Class of 1974

2015.35.14

Publisher

Pace Editions, Inc., New York

Geography

Place Made: United States, North America

Period

20th century

Object Name

Print

Research Area

Print

Not on view

Inscriptions

Signed and inscribed, in graphite, lower left: Jim Dine A/P 1977

Course History

SART 27, Printmaking I: Intaglio, Louise Hamlin, Spring 2012

SART 27, SART 28, Printmaking I: Intaglio, Printmaking II, Louise Hamlin, Winter 2013

SART 27, SART 28, SART 74, Printmaking I, II, III, Louise Hamlin, Spring 2013

SART 27, SART 28, Printmaking I: Intaglio, Printmaking II, Louise Hamlin, Winter 2012

SART 27, SART 28, Printmaking I-Intaglio, Printmaking II, Louise Hamlin, Winter 2014

SART 27, SART 28, SART 74, Printmaking I, Printmaking II, Printmaking III, Louise Hamlin, Spring 2014

SART 27, SART 28, SART 74, Printmaking I, Printmaking II, Printmaking III, Louise Hamlin, Spring 2014

Exhibition History

Jim Dine: Prints, William B. Jaffe and Evelyn A. Jaffe Hall Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 17-September 21, 1999, no. 24.

Provenance

Mitchell Friedman, Weston, Connecticut; lent to present collection, 2000; given to present collection, 2015.

Catalogue Raisonne

Cat. 2 in E. G. D'Oench and J. E. Feinberg: Jim Dine: Prints, 1977–1985 (New York, 1986) [cat. rai.]

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu