Aspens, Northern New Mexico

Ansel Easton Adams, American, 1902 - 1984

Share

See Previous Article See next Article

negative 1958; print 1963-1973

Gelatin silver print

Frame: 25 1/4 × 31 1/4 in. (64.1 × 79.4 cm)

Sheet: 55 × 76 3/4 in. (139.7 × 194.9 cm)

Hood Museum of Art, Dartmouth: Purchased in memory of Edward A. Hansen, Member of the Board of the Hopkins Center and Hood Museum of Art, with gifts from his wife Julia, his children, Victoria, Class of 1988 and Christopher, Class of 1985, and friends

© 2013 The Ansel Adams Publishing Rights Trust

2013.6

Geography

Place Imaged: United States, North America

Place Made: United States, North America

Period

20th century

Object Name

Photograph

Research Area

Photograph

Not on view

Inscriptions

Signed, in graphite, on reverse of mount; and titled in ink and stamped on verso using the Carmel studio stamp

Label

Celebrated photographer Ansel Adams here depicts an aspen forest during autumn in the mountains of northern New Mexico. Silhouetted against the murky depths of a forest interior, the leaves of this young aspen tree glow with reflected light. Unlike most deciduous trees, aspen stands are a clonal colony rather than a group of individual specimens. United by a shared root structure, an aspen grove constitutes a single massive organism that can live for tens of thousands of years.

From the 2022 exhibition This Land: American Engagement with the Natural World, curated by Jami C. Powell, Curator of Indigenous Art; Barbara J. MacAdam, former Jonathan L. Cohen Curator of American Art; Thomas H. Price, former Curatorial Assistant; Morgan E. Freeman, former DAMLI Native American Art Fellow; and Michael Hartman, Jonathan Little Cohen Associate Curator of American Art

Course History

SART 29, Photography I, Christina Seely, Winter 2015

ANTH 7.05, Animals and Humans, Laura Ogden, Winter 2022

GEOG 31.01, Postcolonial Geographies, Erin Collins, Winter 2022

ANTH 50.05, Environmental Archaeology, Madeleine McLeester, Winter 2022

ANTH 50.05, Environmental Archaeology, Madeleine McLeester, Winter 2022

ARTH 5.01, Introduction to Contemporary Art, Mary Coffey and Chad Elias, Winter 2022

ANTH 3.01, Introduction to Cultural Anthropology, Chelsey Kivland, Summer 2022

ANTH 3.01, Introduction to Cultural Anthropology, Chelsey Kivland, Summer 2022

SPAN 65.15, Wonderstruck: Archives and the Production of Knowledge in an Unequal World, Silvia Spitta and Barbara Goebel, Summer 2022

Exhibition History

This Land: American Engagement with the Natural World, Israel Sack Gallery, Hood Museum of Art, Dartmouth, Hanover, New Hampshire, January 5–July 22, 2022.

Published References

Andrea G. Stillman, editor, Ansel Adams: 400 Photographs, 2007, Boston, Little Brown, cover and p. 375; John Szarkowski, Ansel Adams at 100, San Francisco, SFMOMA, 2001, cover of hardcover, pp. 104-5; Ansel Adams, Examples: The Making of 40 Photographs, Boston, Little Brown, 1989, p. 116

Provenance

The artist; sold to a private dealer, California, date unknown; sold to private collector, date unknown, on consignment with Alan Klotz Gallery, New York; sold to present collection, 2013.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu