Green's Apogee
Louise Fishman, American, born 1939
2005
Oil on canvas
Overall: 88 × 65 × 2 1/16 in. (223.5 × 165.1 × 5.2 cm)
Hood Museum of Art, Dartmouth College: Purchased through a gift from Mr. and Mrs. Joseph H. Hazen, by exchange
2013.23
Geography/Culture
North America, United States
Period
21st century
Object Name
Painting
Classification
Painting
Not on view
Inscription
Signed, on reverse.
Course History
WRIT 5, Expository Writing, William Craig, Winter 2014
Exhibition History
The Ringling International Arts Festival, The John and Mable Ringling Museum of Art, Sarasota, Florida, October 7-October 25, 2009.
The New Landscape/ The New Still Life: Soutine and Modern Art, Cheim & Read, New York, June 22-September 9, 2006.
Louise Fishman: The Tenacity of Painting, Paintings from 1970 to 2005, Dartmouth College Studio Art Exhibition, Hopkins Center, Dartmouth College, Hanover, New Hampshire, April 3-May 6, 2007.
Louise Fishman: A Retrospective, Neuberger Museum of Art, Purchase College, State University of New York, Purchase, New York, April 3-July 31, 2016.
Louise Fishman, Cheim & Read, New York, February 15-March 25, 2006.
In Residence: Contemporary Art at Dartmouth, Churchill P. Lathrop Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 18-July 6, 2014.
Environments and Empires, Rose Art Museum, Brandeis University, Waltham, Massachusetts, January 23-April 13, 2008.
Publication History
___________. Louise Fishman (exhibition catalogue), Essay by David Deitcher New York, New York: Cheim & Read, 2006 reproduced in color, unpaginated.
Michael R. Taylor and Gerald Auten, In Residence: Contemporary Artists at Dartmouth, Hanover, New Hampshire: Trustees of Dartmouth College, 2013, ill. cover, p. 111 , no. 101
Maurice Tuchman and Esti Dunow, The New Landscape/ The New Still Life: Soutine and Modern Art, New York, Cheim & Read, 2006, illustrated in color, unpaginated.
Provenance
The artist; Cheim & Read, New York; sold to present collection, 2013.
This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.
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