Green's Apogee

Louise Fishman, American, born 1939

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2005

Oil on canvas

Overall: 88 × 65 × 2 1/16 in. (223.5 × 165.1 × 5.2 cm)

Hood Museum of Art, Dartmouth College: Purchased through a gift from Mr. and Mrs. Joseph H. Hazen, by exchange

2013.23

Geography/Culture

North America, United States

Period

21st century

Object Name

Painting

Classification

Painting

Not on view

Inscription

Signed, on reverse.

Course History

WRIT 5, Expository Writing, William Craig, Winter 2014

Exhibition History

Louise Fishman: A Retrospective, Neuberger Museum of Art, Purchase College, State University of New York, Purchase, New York, April 3-July 31, 2016.

In Residence: Contemporary Art at Dartmouth, Churchill P. Lathrop Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 18-July 6, 2014.

The Ringling International Arts Festival, The John and Mable Ringling Museum of Art, Sarasota, Florida, October 7-October 25, 2009.

Environments and Empires, Rose Art Museum, Brandeis University, Waltham, Massachusetts, January 23-April 13, 2008.

The New Landscape/ The New Still Life: Soutine and Modern Art, Cheim & Read, New York, June 22-September 9, 2006.

Louise Fishman: The Tenacity of Painting, Paintings from 1970 to 2005, Dartmouth College Studio Art Exhibition, Hopkins Center, Dartmouth College, Hanover, New Hampshire, April 3-May 6, 2007.

Louise Fishman, Cheim & Read, New York, February 15-March 25, 2006.

Publication History

Michael R. Taylor and Gerald Auten, In Residence: Contemporary Artists at Dartmouth, Hanover, New Hampshire: Trustees of Dartmouth College, 2013, ill. cover, p. 111 , no. 101

___________. Louise Fishman (exhibition catalogue), Essay by David Deitcher New York, New York: Cheim & Read, 2006 reproduced in color, unpaginated.

Maurice Tuchman and Esti Dunow, The New Landscape/ The New Still Life: Soutine and Modern Art, New York, Cheim & Read, 2006, illustrated in color, unpaginated.

Provenance

The artist; Cheim & Read, New York; sold to present collection, 2013.

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.

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