Ajay, from the series Sistagirls

Bindi Cole, Wathaurung / Australian, born 1975
Wathaurung
Melbourne
Victoria
Australia

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2009

Pigment print on Hahnemuele (cotton rag)

Overall: 29 1/2 × 41 5/16 in. (75 × 105 cm)

Hood Museum of Art, Dartmouth: Gift of Will Owen and Harvey Wagner

2011.60.74

Geography

Place Made: Australia, Oceania

Period

21st century

Object Name

Photograph

Research Area

Photograph

Not on view

Course History

WRIT 5, Indigenous Knowledge and Development, Kenneth Bauer, Winter 2013

ARTH 16, ANTH 50, Australian Aborigional Art, Howard Morphy, Fall 2012

ARTH 16, ANTH 50, Australian Aborigional Art, Howard Morphy, Fall 2012

ARTH 16, ANTH 50, Australian Aborigional Art, Howard Morphy, Fall 2012

ARTH 16, ANTH 50, Australian Aborigional Art, Howard Morphy, Fall 2012

WRIT 5, Nature and Imagination: The Meanings of Place, William Nichols, Fall 2012

SART 29, Photography I, Brian Miller, Fall 2012

SART 30, Photography II, Brian Miller, Fall 2012

SART 25, Painting I, Esme Thompson, Fall 2012

SART 25, Painting I, Enrico Riley, Fall 2012

ANTH 30, Hunters and Gatherers, Nathaniel Dominy, Fall 2012

THEA 28, Dance Composition, Ford Evans, Fall 2012

SART 15, Drawing I, Gerald Auten, Fall 2012

SART 20, SART 71, Drawing II, Drawing III, Colleen Randall, Fall 2012

NAS 42, Gender Issues in Native American Life, Vera Palmer, Fall 2012

ARTH 16, ANTH 50.4, Indigenous Australian Art and the Politics of Curation, Stephen Gilchrist, Winter 2012

ARTH 16, ANTH 50.4, Indigenous Australian Art and the Politics of Curation, Stephen Gilchrist, Winter 2012

WGST 65, Queer Visual Culture, Gabriele Dietze, Winter 2014

SART 30, Photography II, Virginia Beahan, Spring 2014

WGST 96, Times of Crisis, Annabelle Martin, Spring 2014

WGST 65.6, Radical Sexuality: Of Color, Wildness and Fabulosity, Eng-Beng Lim, Winter 2015

SART 17.9, The Photographer as Activist: Making Art Inspired by the Hood Museum's Collection, Virginia Beahan, Winter 2015

SART 30, SART 75, Photography II and III, Virginia Beahan, Spring 2019

WGSS 10.01, Sex, Gender, and Society, Douglas Moody, Fall 2019

WGSS 10.02, Sex, Gender, and Society, Kristen O'Rourke, Fall 2019

WGSS 10.03, Sex, Gender, and Society, Jenn Sargent, Fall 2019

WGSS 10.04, Sex, Gender, and Society, Susan Brison, Fall 2019

WGSS 10.01 , Sex, Gender and Society, Francine A'Ness, Fall 2021

Exhibition History

Crossing Cultures: The Owen and Wagner Collection of Contemporary Aboriginal Australian Art at the Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 15, 2012-March 10, 2013; Toledo Museum of Art, April 11-July 14, 2013.

Shifting the Lens: Contemporary Indigenous Australian Photography, Luise and Morton Kaish Gallery, Hood Museum of Art, Dartmouth, Hanover, New Hampshire, February 15–June 21, 2020.

Publication History

Stephen Gilchrist, editor, Crossing Cultures, The Owen and Wagner Collection of Contemporary Aboriginal Art at the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2012, p. 61, Fig 5.3; p. 156, no. 106.

Provenance

Nellie Castan Gallery, South Yarra, Victoria, Australia; sold to Will Owen (1952-2015) and Harvey Wagner (1931-2017), Chapel Hill, North Carolina, July 27, 2010; lent to present collection, 2011; given to present collection, 2013.

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