Ajay, from the series Sistagirls
Bindi Cole, Wathaurung / Australian, born 1975, Wathaurung, Melbourne, Victoria, Australia
2009
Pigment print on Hahnemuele (cotton rag)
Overall: 29 1/2 × 41 5/16 in. (75 × 105 cm)
Hood Museum of Art, Dartmouth College: Gift of Will Owen and Harvey Wagner
2011.60.74
Geography/Culture
Oceania, Australia, Indigenous Australia
Period
21st century
Object Name
Photograph
Classification
Photograph
Not on view
Course History
WGSS 10.04, Sex, Gender, and Society, Susan Brison, Fall 2019
WGSS 10.03, Sex, Gender, and Society, Jenn Sargent, Fall 2019
WGSS 10.02, Sex, Gender, and Society, Kristen O‘Rourke, Fall 2019
WGSS 10.01, Sex, Gender, and Society, Douglas Moody, Fall 2019
SART 30, SART 75, Photography II and III, Virginia Beahan, Spring 2019
SART 17.9, The Photographer as Activist: Making Art Inspired by the Hood Museum‘s Collection, Virginia Beahan, Winter 2015
WGST 65.6, Radical Sexuality: Of Color, Wildness and Fabulosity, Eng-Beng Lim, Winter 2015
WGST 96, Times of Crisis, Annabelle Martin, Spring 2014
SART 30, Photography II, Virginia Beahan, Spring 2014
WGST 65, Queer Visual Culture, Gabriele Dietze, Winter 2014
NAS 42, Gender Issues in Native American Life, Vera Palmer, Fall 2012
ARTH 16, ANTH 50, Australian Aborigional Art, Howard Morphy, Fall 2012
WRIT 5, Indigenous Knowledge and Development, Kenneth Bauer, Winter 2013
SART 20, SART 71, Drawing II, Drawing III, Colleen Randall, Fall 2012
WRIT 5, Nature and Imagination: The Meanings of Place, William Nichols, Fall 2012
ARTH 16, ANTH 50, Australian Aborigional Art, Howard Morphy, Fall 2012
ARTH 16, ANTH 50, Australian Aborigional Art, Howard Morphy, Fall 2012
THEA 28, Dance Composition, Ford Evans, Fall 2012
SART 15, Drawing I, Gerald Auten, Fall 2012
ARTH 16, ANTH 50, Australian Aborigional Art, Howard Morphy, Fall 2012
SART 25, Painting I, Esme Thompson, Fall 2012
SART 25, Painting I, Enrico Riley, Fall 2012
ANTH 30, Hunters and Gatherers, Nathaniel Dominy, Fall 2012
SART 30, Photography II, Brian Miller, Fall 2012
SART 29, Photography I, Brian Miller, Fall 2012
ARTH 16, ANTH 50.4, Indigenous Australian Art and the Politics of Curation, Stephen Gilchrist, Winter 2012
ARTH 16, ANTH 50.4, Indigenous Australian Art and the Politics of Curation, Stephen Gilchrist, Winter 2012
Exhibition History
Shifting the Lens: Indigenous Australian Photography, Louise and Morton Kaish Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, February 15-June 21, 2020.
Crossing Cultures: The Owen and Wagner Collection of Contemporary Aboriginal Australian Art at the Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 15, 2012-March 10, 2013; Toledo Museum of Art, April 11-July 14, 2013.
Publication History
Stephen Gilchrist, editor, Crossing Cultures, The Owen and Wagner Collection of Contemporary Aboriginal Art at the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2012, p. 61, Fig 5.3; p. 156, no. 106.
Provenance
Nellie Castan Gallery, South Yarra, Victoria, Australia; sold to Will Owen (1952-2015) and Harvey Wagner (1931-2017), Chapel Hill, North Carolina, July 27, 2010; lent to present collection, 2011; given to present collection, 2013.
This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.
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