blak 'n' blue

Tony Albert, Girramay / Kuku Yalanji / Australian, born 1981
Girramay
Kuku Yalanji

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2009

Watercolor on Arches Aquarelle paper

Overall: 27 9/16 × 12 5/8 in. (70 × 32 cm)

Hood Museum of Art, Dartmouth: Gift of Will Owen and Harvey Wagner

2011.60.68.2

Geography

Place Made: Australia, Oceania

Period

21st century

Object Name

Watercolor

Research Area

Watercolor

Not on view

Course History

WRIT 5, Expository Writing, Carl Thum, Winter 2013

WRIT 5, Indigenous Knowledge and Development, Kenneth Bauer, Winter 2013

ARTH 16, ANTH 50, Australian Aborigional Art, Howard Morphy, Fall 2012

ARTH 16, ANTH 50, Australian Aborigional Art, Howard Morphy, Fall 2012

ARTH 16, ANTH 50, Australian Aborigional Art, Howard Morphy, Fall 2012

ARTH 16, ANTH 50, Australian Aborigional Art, Howard Morphy, Fall 2012

WRIT 5, Nature and Imagination: The Meanings of Place, William Nichols, Fall 2012

SART 29, Photography I, Brian Miller, Fall 2012

SART 30, Photography II, Brian Miller, Fall 2012

SART 25, Painting I, Esme Thompson, Fall 2012

SART 25, Painting I, Enrico Riley, Fall 2012

ANTH 30, Hunters and Gatherers, Nathaniel Dominy, Fall 2012

THEA 28, Dance Composition, Ford Evans, Fall 2012

SART 15, Drawing I, Gerald Auten, Fall 2012

SART 20, SART 71, Drawing II, Drawing III, Colleen Randall, Fall 2012

NAS 42, Gender Issues in Native American Life, Vera Palmer, Fall 2012

ARTH 16, ANTH 50.4, Indigenous Australian Art and the Politics of Curation, Stephen Gilchrist, Winter 2012

ARTH 16, ANTH 50.4, Indigenous Australian Art and the Politics of Curation, Stephen Gilchrist, Winter 2012

ANTH 12.3, WGST 42.5, The Ethnography of Violence, Chelsey Kivland, Fall 2013

ANTH 12.3, WGST 42.5, Ethnography of Violence, Chelsey Kivland, Winter 2015

ANTH 12.3, WGST 42.5, Ethnography of Violence, Chelsey Kivland, Winter 2015

COLT 73.4, Violence, Ayo Coly, Winter 2015

ANTH 55, Anthropology of Global Health, Anne Sosin, Spring 2021

ANTH 73.01, Main Currents in Anthropology, Sienna Craig, Winter 2022

SOCY 2.01, Social Problems, Kristin Smith, Winter 2022

ANTH 28/AAAS 88.08/WGSS 42.05, Ethnography of Violence, Chelsey Kivland, Spring 2022

ANTH 55.01, Anthropology of Global Health, Anne Sosin, Spring 2022

GEOG 72.01/AAAS 67.50/WGSS 66.09, Black Consciousness Black Feminism, Abby Neely, Spring 2022

HIST 2.01, #EverythingHasAHistory, Julia Rabig and Darryl Barthe, Fall 2022

HIST 2.01, #EverythingHasAHistory, Julia Rabig and Darryl Barthe, Fall 2022

Sociology 2.01, Social Problems, Kristin Smith, Winter 2023

Geography 25.01, Sociology 49.22, Women’s Gender, and Sexuality Studies 37.03, Social Justice and the City, Erin Collins, Fall 2023

Exhibition History

Crossing Cultures: The Owen and Wagner Collection of Contemporary Aboriginal Australian Art at the Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 15, 2012-March 10, 2013; Toledo Museum of Art, April 11-July 14, 2013.

Publication History

Stephen Gilchrist, editor, Crossing Cultures, The Owen and Wagner Collection of Contemporary Aboriginal Art at the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2012, ill. p. 82; p. 155, no. 105.

Provenance

Gallerysmith, North Melbourne, Victoria, Australia; sold to Will Owen (1952-2015) and Harvey Wagner (1931-2017), Chapel Hill, North Carolina, 2010; lent to present collection, 2011; given to present collection, 2013.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu