Litjardi

Course History

WRIT 5, Indigenous Knowledge and Development, Kenneth Bauer, Winter 2013

ARTH 16, ANTH 50, Australian Aborigional Art, Howard Morphy, Fall 2012

ARTH 16, ANTH 50, Australian Aborigional Art, Howard Morphy, Fall 2012

ARTH 16, ANTH 50, Australian Aborigional Art, Howard Morphy, Fall 2012

ARTH 16, ANTH 50, Australian Aborigional Art, Howard Morphy, Fall 2012

WRIT 5, Nature and Imagination: The Meanings of Place, William Nichols, Fall 2012

SART 29, Photography I, Brian Miller, Fall 2012

SART 30, Photography II, Brian Miller, Fall 2012

SART 25, Painting I, Esme Thompson, Fall 2012

SART 25, Painting I, Enrico Riley, Fall 2012

ANTH 30, Hunters and Gatherers, Nathaniel Dominy, Fall 2012

THEA 28, Dance Composition, Ford Evans, Fall 2012

SART 15, Drawing I, Gerald Auten, Fall 2012

SART 20, SART 71, Drawing II, Drawing III, Colleen Randall, Fall 2012

NAS 42, Gender Issues in Native American Life, Vera Palmer, Fall 2012

ANTH 50.33, Cartographic Encounters, Kenneth Bauer, Spring 2020

SART 27, SART 28, Printmaking I and II, Tricia Treacy, Fall 2020

SART 25, SART 31, Painting I, Painting II, Tom Ferrara, Summer 2021

ANTH 3, Introduction to Cultural Anthropology, Chelsey Kivland, Summer 2021

SART 27.01, Printmaking I, Tricia Treacy, Fall 2022

Exhibition History

A Space for Dialogue 62, Aerial Perspectives, Grounded in an Infinite Landscape, Natalia Wrobel, Class of 2011, Class of 1954 Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 29-Feburary 28, 2011.

Crossing Cultures: The Owen and Wagner Collection of Contemporary Aboriginal Australian Art at the Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 15, 2012-March 10, 2013; Toledo Museum of Art, April 11-July 14, 2013.

Publication History

Natalia Wrobel, A Space for Dialogue 62, Aerial Perspectives, Grounded in an Infinite Landscape, Hannver, New Hampshire: Hood Museum of Art, Dartmouth College, 2011, title page, ill.

Stephen Gilchrist, editor, Crossing Cultures, The Owen and Wagner Collection of Contemporary Aboriginal Art at the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2012, p. 142, no. 65.

Provenance

Papunya Tula Artists Pty. Ltd., Alice Springs, Northern Territory, Australia (Certificate of Authenticity); John Gordon Gallery, Coffs Harbour, New South Wales, Australia; sold to Will Owen (1952-2015) and Harvey Wagner (1931-2017), Chapel Hill, North Carolina, September 5, 2005; given to present collection, 2009.

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