The Passion of Jesus in Jerusalem (two of two fragments)

Unknown German, German

Share

1460s

Woodcut with hand coloring and xylographic inscriptions on paper

Overall: 10 15/16 × 6 7/8 in. (27.8 × 17.5 cm)

Hood Museum of Art, Dartmouth: Purchased through the Florence and Lansing Porter Moore 1937 Fund, the Robert J. Stasenburgh II 1942 Fund, the Julia L. Whittier Fund, the Barbara Dau Southwell '78 and David P. Southwell T'88 Fund for European Art

2009.67.2

Geography

Place Made: Germany, Europe

Period

1400-1600

Object Name

Print

Research Area

Print

Not on view

Course History

ARTH 43, Northern Renaissance Art, Jane Carroll, Winter 2012

ARTH 15.1, Gothic Art, Jane Carroll, Spring 2019

OSHER, European Manuscript and Print Culture (1300-1600), Daniel Abosso, Fall 2019

OSHER, European Manuscript and Print Culture (1300-1600), Daniel Abosso, Fall 2021

HIST 96.39, Saints and Material Devotion, Cecilia Gaposchkin, Fall 2021

Exhibition History

Envisioning Jerusalem: Prints from Durer to Rembrandt, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 9-June 19, 2011.

Publication History

Elizabeth Ross, Picturing Experience in the Early Printed Book: Breydenback's Peregrinatio from Venice to Jerusalem, Penn State University Press, 2014, ill. p. 134 figure 78.

Provenance

Marie-Therese and Andre Jammes, Paris; Les Enluminures, Paris; sold to present collection, 2009.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu

Subjects