Signed, in block, lower right: AD [artist's monogram]; reverse, inscribed, in graphite, center left: 19.73.208; reverse, inscribed, in graphite, lower left: 12; reverse, inscribed, in graphite, lower left: 48 p m 34221 / 220/8/25; reverse, inscribed, in graphite, lower center: B.86 D.I. 289 H6 The Circumcision; reverse, inscribed, in graphite, lower right: B.86;
Collector's mark, reverse, stamped, in brown ink, center left: METROPOLITAN / DUPLICATE [encircled] WM9p [inscribed, in black ink, in center] [Lugt 1808h];
Collector's mark, reverse, stamped, in brown ink, center left: METROPOLITAN / MVSEVM / OF ART / NEW YORK [encircled; Lugt 1943]
Watermark, lower right: [High crown; Meder 20]
ARTH 2, Introduction to the History of Art II, Joy Kenseth, Marlene Heck, Winter 2012
ARTH 7, Knight, Death, and the Devil, Jane Carroll, Spring 2012
ARTH 86, Senior Seminar in Theory and Method, Mary Coffey, Winter 2012
HIST 96.39, Saints and Material Devotion, Cecilia Gaposchkin, Fall 2021
New Acquisitions, Churchill P. Lathrop Gallery, Elevator Vestibule, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, June 1, 2009-present.
Junius Spence Morgan (1867-1932); given to the Metropolitan Museum of Art, New York, New York, 1919; exchanged for other prints from M. Knoedler & Co., New York, New York, date unknown; with E. & R. Kistner, Nuremberg, Germany, 2007; Karl & Faber, Munich, Germany (Sale December 4-5, 2008, lot no. 59); [through C G. Boerner, New York, New York], 2008; sold to present collection, 2008.
Bartsch (1803), Vol. VII: 132.86; Meder (1932): 198; Schoch (2001-2004): 176
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