Vaches sous bois (Cows under Trees), Plate 35 from Quarante Cliché-Glaces (Forty Cliché-Verre)

Charles François Daubigny, French, 1817 - 1878



Cliché-verre on photosensitive paper, mounted on wove paper

Image: 6 1/8 × 7 3/8 in. (15.5 × 18.7 cm)

Sheet (Irreg.): 6 7/16 × 7 5/8 in. (16.3 × 19.3 cm)

Mount: 8 7/8 × 11 1/16 in. (22.5 × 28.1 cm)

Hood Museum of Art, Dartmouth: Purchased through the Jean and Adolph Weil Jr. 1935 Fund



Place Made: France, Europe


19th century

Object Name


Research Area


Not on view


Signed, in plate, lower right margin: [CD artist's monogram] DAUbigny; reverse, inscribed, in graphite, center: Con Albey Morance / 3_ Daubigny -; inscribed, in graphite, on wove sheet, lower left margin: Daubigny; inscribed, in graphite, on wove sheet, lower right margin: Vaches à l'abreuvoir; inscribed,in graphite, lower right margin: 62 [encircled]; Vache à l'arbeuvoir [in script, same as graphite inscriptions on front]; Watermark, on wove sheet, left: PETERIES; watermark, on wove sheet, right: LBN / Voiron On old mount, inscribed, in graphite, lower left to center: Charles-Francois Daubigny 1817-1878 Vaches sous bois [title underscored] or Vaches a l'Abreuvoir [title underscored] 1862, cliche verre. Prov.: Albert Morance;

Course History

ARTH 51, Realism, Impressionism, Post-Impressionism, Katie Hornstein, Fall 2012

ARTH 51, Realism, Impressionism, Post-Impressionism, Katie Hornstein, Fall 2012


Albert Morance, Paris, France; Susan Schulman Printseller, New York, New York; sold to present collection, 2008.

Catalogue Raisonne

Henriet (1875): 130; Delteil (1906-1926) Vol. 12: 149; IFF (1949): 86

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