Scenic Antiquities of the Land of Yamato, Portrayed in Perspective: Eight Views of Lake Omi
Utagawa Toyoharu, Japanese, 1735 - 1814
about 1775
Color woodblock print
Overall: 10 3/16 × 15 7/16 in. (25.9 × 39.2 cm)
Hood Museum of Art, Dartmouth: Purchased through a gift from the E. Rhodes and Leona B. Carpenter Foundation
2007.8.1
Geography
Place Made: Japan, East Asia, Asia
Period
1600-1800
Object Name
Research Area
Not on view
Course History
ARTH 65, Japanese Prints, Allen Hockley, Spring 2013
ARTH 65, Japanese Prints, Allen Hockley, Winter 2012
ARTH 65, Japanese Prints, Allen Hockley, Winter 2015
ARTH 62.3, Japanese Prints, Allen Hockley, Winter 2019
ARTH 62.3, Japanese Prints, Allen Hockley, Winter 2019
ARTH 62.3, Japanese Prints, Allen Hockley, Winter 2019
ARTH 62.3, Japanese Prints, Allen Hockley, Winter 2019
ARTH 62.30/ASCL 62.12, Japanese Prints, Allen Hockley, Spring 2021
ARTH 62.30/ASCL 62.12, Japanese Prints, Allen Hockley, Spring 2022
ARTH 62.30/ASCL 62.12, Japanese Prints, Allen Hockley, Spring 2022
Art History 62.30, Asian Societies, Cultures, and Languages 62.12, Japanese Prints, Allen Hockley, Spring 2023
Art History 62.30, Asian Societies, Cultures, and Languages 62.12, Japanese Prints, Allen Hockley, Spring 2023
Art History 62.30, Asian Societies, Cultures, and Languages 62.12, Japanese Prints, Allen Hockley, Summer 2023
Art History 62.30, Asian Societies, Cultures, and Languages 62.12, Japanese Prints, Allen Hockley, Summer 2023
Exhibition History
Japanese Prints in the Hood Museum of Art: Recent Acquisitions, Owen Robertson Cheatham Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire [in conjunction with The Women of Shin Hanga: The Judith and Joseph Barker Collection of Japanese Prints, April 6-July 28, 2013.
Provenance
Sebastian Izzard LLC, New York, New York; sold to present collection, 2007.
This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.
We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu