Photographic Memoirs of an Aboriginal Savant (Living on Occupied Land)

Hulleah J. Tsinhnahjinnie, American / Diné / Seminole / Muscogee, born 1954, Muscogee (Creek), Diné (Navajo), Seminole, Southeast

Share

See Previous Article See next Article

1994, print and negative

15 prints with text and photographic and cartoon reproductions

unique

Overall: 11 x 14 in. (27.94 x 35.56 cm)

Hood Museum of Art, Dartmouth College: Purchased through the Contemporary Art Fund

2007.55

Geography/Culture

North America, United States

Period

20th century

Object Name

Print

Classification

Native American

Print

Native American: Southeast

Not on view

Course History

ANTH/LING preparation session for W15 FSP to New Zealand, Sienna Craig, Fall 2014

NAS 30.1, ARTH 17, Modern Native American Art History, Joyce Szabo, Summer 2013

Exhibition History

A Space for Dialogue 88, Still We Rise, Women of Color Existence / Resistance in Contemporary Art, Taylor Payer, Class of 2015, Kathryn Conroy Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, May 30 -July 12, 2015.

New Acquisition, Alvin P. Gutman Gallley, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, February-May 4, 2008.

After the Storm: The Eiteljorg Fellowship for Native American Fine Art, Eiteljorg Museum, Indianapolis, Indiana, November 8, 2003-February 1, 2004.

Outwest, Plan B Evolving Arts, Santa Fe, New Mexico, 1999.

Native Nations: Journeys in American Photograph, Barbican Art Gallery, London, England, September 7, 1998-January 1, 1999.

Image and Self in Contemporary Native American Photoart: Carm Little Turtle, Shelley Niro, Jolene Rickart, Hulleah Tsinhnahjinnie, Richard Ray White. Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 1995.

Photographic Memoirs of an Aboriginal Savant, CN Gorman Museum, University of California, Davis, California, November 13-December 23, 1994. (solo)

Photographic Memoirs of an Aboriginal Savant, Sacred Circle Gallery, Seattle, Washington, September 9-October 21, 1994.

Publication History

Taylor Payer, A Space for Diagolgue 88, Still We Rise, Women of Color Esistence / Resistance in Contemporary Art, Hanover, New Hampshire: Trustees of Dartmouth College, 2015, checklist no. 2.

H. J. Tsinhnahjinnie, Memoirs of an Aboriginal Savan, in Reading Native American Woman, Walnut Creek, California: Alta Vista Press, 2005.

V. Passalacqua, Hulleah J. Tsinhnahjinnie, in Path breakers: The Eiteljorg Fellowship for Native American Fine Art, 2003. Eiteljorg Museum and University of Wahsiington Press, Indianapolis and Seattle, pp. 80-99, 2003.

D. Harry, Genetics and Native Identity, Native Americas: Who's An Indian: Tribal Membership and Indian Status, vol. 19, no. 1 & 2, 2002.

T. Claviez and M. Moss, editors, Mirror Writing: (Re)-Construcitons of Native American Identity. Glienicke/Berlin: Galda + Wilch Verlag, 2000.

C. F. Feest, The Cultures of Native North America. Cologne, Germany: Konemann, 2000.

J. Alison, Native Nations: Journeys in American Photography, Barbican Art Gallery and Booth-Clibborn Editions, London, England, 1998.

J. Wong, Photographic Memoirs' Displays Showcases True American Art, The California Aggie, November 16, 1994.

H. J. Tsinhnahjinnie, Photographic Memoirs of an Aboriginal Savant, CN Gorman Museum, University of California, Davis, California, 1994.

B. Nixon, Hulleah J. Tsinhnahjinnie at the CN Gorman Museum, The Guide, December 1994.

Provenance

Andrew Smith Gallery, Inc., Santa Fe, New Mexico; sold to present collection, 2007.

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.

Noticed a mistake? Have some extra information about this object? Contact Us