ANTH 3, Introduction to Cultural Anthropology, Chelsey Kivland, Spring 2019
NAS 30.1, ARTH 17, Modern Native American Art History, Joyce Szabo, Summer 2013
Portrait of the Artist as an Indian / Portrait of the Indian as an Artist, Harteveldt Family Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 26, 2019-July 15, 2019.
Photographic Memoirs of an Aboriginal Savant, Sacred Circle Gallery, Seattle, Washington, September 9-October 21, 1994.
Photographic Memoirs of an Aboriginal Savant, CN Gorman Museum, University of California, Davis, California, November 13-December 23, 1994. (solo)
Outwest, Plan B Evolving Arts, Santa Fe, New Mexico, 1999.
New Acquisition, Alvin P. Gutman Gallley, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, February-May 4, 2008.
Native Nations: Journeys in American Photograph, Barbican Art Gallery, London, England, September 7, 1998-January 1, 1999.
Image and Self in Contemporary Native American Photoart: Carm Little Turtle, Shelley Niro, Jolene Rickart, Hulleah Tsinhnahjinnie, Richard Ray White. Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 1995.
After the Storm: The Eiteljorg Fellowship for Native American Fine Art, Eiteljorg Museum, Indianapolis, Indiana, November 8, 2003-February 1, 2004.
A Space for Dialogue 88, Still We Rise, Women of Color Existence / Resistance in Contemporary Art, Taylor Payer, Class of 2015, Kathryn Conroy Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, May 30 -July 12, 2015.
V. Passalacqua, Hulleah J. Tsinhnahjinnie, in Path breakers: The Eiteljorg Fellowship for Native American Fine Art, 2003. Eiteljorg Museum and University of Wahsiington Press, Indianapolis and Seattle, pp. 80-99, 2003.
Taylor Payer, A Space for Diagolgue 88, Still We Rise, Women of Color Esistence / Resistance in Contemporary Art, Hanover, New Hampshire: Trustees of Dartmouth College, 2015, checklist no. 2.
T. Claviez and M. Moss, editors, Mirror Writing: (Re)-Construcitons of Native American Identity. Glienicke/Berlin: Galda + Wilch Verlag, 2000.
J. Wong, Photographic Memoirs' Displays Showcases True American Art, The California Aggie, November 16, 1994.
J. Alison, Native Nations: Journeys in American Photography, Barbican Art Gallery and Booth-Clibborn Editions, London, England, 1998.
H. J. Tsinhnahjinnie, Photographic Memoirs of an Aboriginal Savant, CN Gorman Museum, University of California, Davis, California, 1994.
H. J. Tsinhnahjinnie, Memoirs of an Aboriginal Savan, in Reading Native American Woman, Walnut Creek, California: Alta Vista Press, 2005.
D. Harry, Genetics and Native Identity, Native Americas: Who's An Indian: Tribal Membership and Indian Status, vol. 19, no. 1 & 2, 2002.
C. F. Feest, The Cultures of Native North America. Cologne, Germany: Konemann, 2000.
B. Nixon, Hulleah J. Tsinhnahjinnie at the CN Gorman Museum, The Guide, December 1994.
Andrew Smith Gallery, Inc., Santa Fe, New Mexico; sold to present collection, 2007.