Do Women Have to be Naked to get into the Met. Museum?, from the portfolio Guerrilla Girls' Most Wanted: 1985-2006

Guerrilla Girls, American, founded 1985

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1989

Offset lithograph on paper

4/50

Overall: 11 × 27 1/16 in. (28 × 68.7 cm)

Hood Museum of Art, Dartmouth: Purchased through the Anonymous Fund #144

Copyright © Guerrilla Girls

2006.83.7

Publisher

Guerrilla Girls

Geography

Place Made: United States, North America

Period

20th century

Object Name

Print

Research Area

Print

Not on view

Inscriptions

Signed, in graphite, on reverse, lower left: Guerrilla Girls; signed, in plate, lower right margin: GUERRILLA GIRLS; inscribed, in plate, lower right margin: Box 1056 Cooper Sta. NY, NY 10276 / CONSCIENCE OF THE ART WORLD

Course History

ARTH 2, Introduction to the History of Art II, Katie Hornstein, Jane Carroll, Winter 2013

ARTH 2, Introduction to the History of Art II, Katie Hornstein, Jane Carroll, Winter 2013

ARTH 16, ANTH 50.4, Indigenous Australian Art and the Politics of Curation, Stephen Gilchrist, Winter 2012

ARTH 16, ANTH 50.4, Indigenous Australian Art and the Politics of Curation, Stephen Gilchrist, Winter 2012

WRIT 5, Poor Taste, William Boyer, Winter 2014

WGST 10, Sex, Gender, and Society, Zahra Ayubi, Fall 2014

ARTH 16.2, Women in Art, Kristin O'Rourke, Fall 2014

WRIT 5, Quests, Carl Thum, Winter 2015

WRIT 5, On Poor Taste, William Boyer, Winter 2015

Exhibition History

A Space for Dialogue 54, RIOT: Feminist Protest Art, Julissa Llosa, Class of 2010, Homma Family Curatorial Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, February 11-March 14, 2010.

A Space for Dialogue 89, Goddesses, Models, and Prostitutes: An Exploration of the Reclining Female Nude, Olivia Field, Class of 2015, Kathryn Conroy Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 18-August 30, 2015.

Flesh and Desire [curated by Art History II Professors Jane Carroll and Katie Hornstein], Ivan Albright Gallery, Hood Museum of Art, Dartmouth Collection January 7-March 4, 2013.

Publication History

Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009 p.192, no.216.

Julissa Llosa, Class of 2010, Homma Family Curatorial Intern, A Space for Dialogue 54, RIOT: Feminist Protest Art, , Hanover, New Hampshire: Main Lobby, Hood Museum of Art, Dartmouth College, 2010, Title page, ill.

Olivia Field, A Space for Dialogue 89, Goddesses, Models, and Prostitutes: An Exploration of the Reclining Female Nude, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2015, checklist no. 4.

Provenance

Guerrilla Girls, New York, New York; sold to present collection, 2006.

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