Babanco Club
Malick Sidibé, Malian, 1936 - 2016
negative 1964; print 2006
Gelatin silver print
Image: 8 1/4 × 8 3/8 in. (21 × 21.2 cm)
Sheet: 11 15/16 × 9 7/16 in. (30.4 × 24 cm)
Hood Museum of Art, Dartmouth: Purchased through the William B. and Evelyn F. Jaffe (58, 60, & 63) Fund and the Hood Museum of Art Acquisitions Fund
© Malick Sidibé
2006.82.1
Geography
Place Made: Mali, Western Africa, Africa
Period
20th century
Object Name
Photograph
Research Area
Africa
Photograph
Not on view
Inscriptions
Signed and dated, in ink, lower center to right margin: Malick Sidibe MS 2006; titled and dated, in ink, lower left to center margin: Babanco Club- 1964; inscribed, in graphite, on reverse, lower center: MS2013-3; inscribed, in graphite, lower right: 106
Course History
ANTH 3, Introduction to Cultural Anthropology, Chelsey Kivland, Winter 2015
ANTH 3, Introduction to Cultural Anthropology, Chelsey Kivland, Winter 2015
ARTH 48.02, History of Photography, Katie Hornstein, Winter 2020
Exhibition History
Constructing Gender: Works from the Hood Museum of Art's Collection, 1500 to the Present, Harrington Gallery Teaching Exhibition, ARTH 2, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 28-April 22, 2012.
Made in the Middle: Constructing Black Identities across the African Diaspora, Introduction to Cultural Anthropology, Anthropology 3, Winter 2015, Chelsey Kivland, Teaching Exhibition, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, November 15, 2014-March 15,2015.
Publication History
Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009 p.197, no.229.
Provenance
Studio Malick, Bagadadji-Bamako, Mali; sold to present collection, 2006.
This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.
We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu