Cache

Course History

SART 23, Figure Sculpture, Leslie Fry, Spring 2019

AAAS 67.5, GEOG 21.01, Black Consciousness and Black Feminisms, Abigail Neely, Winter 2019

WRIT 5, Expository Writing, William Craig, Winter 2014

ARTH 2, Introduction to the History of Art II, Katie Hornstein, Jane Carroll, Winter 2013

ARTH 2, Introduction to the History of Art II, Katie Hornstein, Jane Carroll, Winter 2013

Exhibition History

Virtual Space for Dialogue: 2017, Vanity: Disrupting The Female Nude, Jessica King Fredel, Class of 2017, Levinson Intern, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire. https://www.jkingfredel.vsfd.hoodmuseum.dartmouth.edu/

The Expanding Universe of Postwar Art, Northeast Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 26-December 1, 2019.

Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 26,2009-March 15, 2010.

In Residence: Contemporary Art at Dartmouth, Churchill P. Lathrop Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 18-July 6, 2014.

Flesh and Desire [curated by Art History II Professors Jane Carroll and Katie Hornstein], Ivan Albright Gallery, Hood Museum of Art, Dartmouth Collection January 7-March 4, 2013.

Coup, L.A. Louver Gallery, Venice, California, February 23-March 25, 2006.

Black Womanhood: Images, Icons, and Ideologies of the African Body, Owen Robertson Cheatham Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 1-August 10, 2008; Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts, September 10-December 10, 2008; San Diego Museum of Art, San Diego, California, January 21-April 26, 2009.

Publication History

Michael R. Taylor and Gerald Auten, In Residence: Contemporary Artists at Dartmouth, Hanover, New Hampshire: Trustees of Dartmouth College, 2013, ill. p. 101 , no. 91

John R. Stomberg, The Hood Now: Art and Inquiry at Dartmouth, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2019, p. 205, ill. plate no. 136.

Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009, p.132, no.105.

Barbara Thompson, Saar and Bannarn: Hood Acquires Two Sculptures by African American Artists, Hood Museum of Art Quarterly, No. 17, Autumn 2006, Hanover: Trustees of Dartmouth College, p. 14.

Barbara Thompson, Black Womanhood: Images, Icons, and Ideologies of the African Body, Seattle: University of Washington Press [Hanover: Trustees of Dartmouth College], 2008, p. 351, plate 128.

Annual Report 2005-6, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, Hanover: Trustees of Dartmouth College, 2006, ill. p.28.

Provenance

The artist; L.A. Louver Gallery, Venice, California; sold to present collection, 2006.

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.

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