"Henna dans son Interieur"

Share

early 20th century

Photo offset lithograph postcard

Overall: 3 9/16 × 5 1/2 in. (9 × 13.9 cm)

Hood Museum of Art, Dartmouth: Purchased through the Hood Museum of Art Acquisitions Fund

2006.18.36

Publisher

N. Boumendil, Taourirt, Morocco

Geography

Place Made: Morocco, Northern Africa, Africa

Period

20th century

Object Name

Photograph

Research Area

Photograph

Not on view

Inscriptions

Printed, in black ink, top left: Scenes et Type; printed, in black ink, bottom left: 15. HENNA dans son interieur; printed, in black ink, on reverse, along left side, from bottom to top: N. Boumendil. photo-editeur, Taourist-Reproduction interlite; inscribed, in black ink, on reverse, center: [message in French]; printed, in black ink, on reverse, top center: CARTE POSTALE

Course History

HIST 7.2, Harem: European Imaginations and Ottoman Realities, Zeynep Turkyilmaz, Katherine Hart, Amelia Kahl, Spring 2012

WGST 41.4, Transnational Muslim Feminisms, Zahra. Ayubi, Fall 2014

REL 28.04, MES 19.05, WGSS 43.06, Gender in Islam, Zahra Ayubi, Spring 2020

Exhibition History

Black Womanhood: Images, Icons, and Ideologies of the African Body, Owen Robertson Cheatham Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 1-August 10, 2008; Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts, September 10-December 10, 2008; San Diego Museum of Art, San Diego, California, January 21-April 26, 2009.

Publication History

Barbara Thompson, Black Womanhood: Images, Icons, and Ideologies of the African Body, Seattle: University of Washington Press [Hanover: Trustees of Dartmouth College], 2008, p. 204, plate 73.

Provenance

Alexandre Przopiorski, Lyon, France; sold to present collection, 2006.

Catalogue Raisonne

Boumendil no. 15

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu