Printed, in black ink, top left: Scenes et Type; printed, in black ink, bottom left: 15. HENNA dans son interieur; printed, in black ink, on reverse, along left side, from bottom to top: N. Boumendil. photo-editeur, Taourist-Reproduction interlite; inscribed, in black ink, on reverse, center: [message in French]; printed, in black ink, on reverse, top center: CARTE POSTALE
HIST 7.2, Harem: European Imaginations and Ottoman Realities, Zeynep Turkyilmaz, Katherine Hart, Amelia Kahl, Spring 2012
WGST 41.4, Transnational Muslim Feminisms, Zahra. Ayubi, Fall 2014
REL 28.04, MES 19.05, WGSS 43.06, Gender in Islam, Zahra Ayubi, Spring 2020
Black Womanhood: Images, Icons, and Ideologies of the African Body, Owen Robertson Cheatham Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 1-August 10, 2008; Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts, September 10-December 10, 2008; San Diego Museum of Art, San Diego, California, January 21-April 26, 2009.
Barbara Thompson, Black Womanhood: Images, Icons, and Ideologies of the African Body, Seattle: University of Washington Press [Hanover: Trustees of Dartmouth College], 2008, p. 204, plate 73.
Alexandre Przopiorski, Lyon, France; sold to present collection, 2006.
Boumendil no. 15
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