Printed, in black ink, top center: 24 Mauresque couchee; On reverse, stamped in green ink: CARTES POSTALES DOCUMENTAIRES 19_ [with 66 handwritten in blue ink] / Collection / Louis / HESSENBRUCH / No __
HIST 7.2, Harem: European Imaginations and Ottoman Realities, Zeynep Turkyilmaz, Katherine Hart, Amelia Kahl, Spring 2012
WGST 41.4, Transnational Muslim Feminisms, Zahra. Ayubi, Fall 2014
REL 28.04, MES 19.05, WGSS 43.06, Gender in Islam, Zahra Ayubi, Spring 2020
A Space for Dialogue 89, Goddesses, Models, and Prostitutes: An Exploration of the Reclining Female Nude, Olivia Field, Class of 2015, Kathryn Conroy Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 18-August 30, 2015.
Black Womanhood: Images, Icons, and Ideologies of the African Body, Owen Robertson Cheatham Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 1-August 10, 2008; Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts, September 10-December 10, 2008; San Diego Museum of Art, San Diego, California, January 21-April 26, 2009.
Barbara Thompson, Black Womanhood: Images, Icons, and Ideologies of the African Body, Seattle: University of Washington Press [Hanover: Trustees of Dartmouth College], 2008, p. 205, plate 74.
Olivia Field, A Space for Dialogue 89, Goddesses, Models, and Prostitutes: An Exploration of the Reclining Female Nude, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2015, ill. p. 3.
Alexandre Przopiorski, Lyon, France; sold to present collection, 2006.
Coll. Ideale P.S. no. 24
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