24 Mauresque Couchee (Reclining Moorish Woman)
Unknown Algerian, Algerian
1913
Photo offset lithograph postcard
Overall: 3 7/16 × 5 3/8 in. (8.8 × 13.7 cm)
Hood Museum of Art, Dartmouth: Purchased through the Hood Museum of Art Acquisitions Fund
2006.18.16
Publisher
Collection Idéale P.S. (P. Satragno), Algeria
Geography
Place Made: Algeria, Northern Africa, Africa
Period
20th century
Object Name
Photograph
Research Area
Photograph
Not on view
Inscriptions
Printed, in black ink, top center: 24 Mauresque couchee; On reverse, stamped in green ink: CARTES POSTALES DOCUMENTAIRES 19_ [with 66 handwritten in blue ink] / Collection / Louis / HESSENBRUCH / No __
Course History
HIST 7.2, Harem: European Imaginations and Ottoman Realities, Zeynep Turkyilmaz, Katherine Hart, Amelia Kahl, Spring 2012
WGST 41.4, Transnational Muslim Feminisms, Zahra. Ayubi, Fall 2014
REL 28.04, MES 19.05, WGSS 43.06, Gender in Islam, Zahra Ayubi, Spring 2020
Writing 7.46, Photography as Anthropological Research Method, Amanda Wetsel, Spring 2024
Exhibition History
A Space for Dialogue 89, Goddesses, Models, and Prostitutes: An Exploration of the Reclining Female Nude, Olivia Field, Class of 2015, Kathryn Conroy Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 18-August 30, 2015.
Black Womanhood: Images, Icons, and Ideologies of the African Body, Owen Robertson Cheatham Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 1-August 10, 2008; Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts, September 10-December 10, 2008; San Diego Museum of Art, San Diego, California, January 21-April 26, 2009.
Publication History
Barbara Thompson, Black Womanhood: Images, Icons, and Ideologies of the African Body, Seattle: University of Washington Press [Hanover: Trustees of Dartmouth College], 2008, p. 205, plate 74.
Olivia Field, A Space for Dialogue 89, Goddesses, Models, and Prostitutes: An Exploration of the Reclining Female Nude, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2015, ill. p. 3.
Provenance
Alexandre Przopiorski, Lyon, France; sold to present collection, 2006.
Catalogue Raisonne
Coll. Ideale P.S. no. 24
This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.
We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu