24 Mauresque Couchee (Reclining Moorish Woman)

Unknown Algerian, Algerian

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1913

Photo offset lithograph postcard

Overall: 3 7/16 × 5 3/8 in. (8.8 × 13.7 cm)

Hood Museum of Art, Dartmouth: Purchased through the Hood Museum of Art Acquisitions Fund

2006.18.16

Publisher

Collection Idéale P.S. (P. Satragno), Algeria

Geography

Place Made: Algeria, Northern Africa, Africa

Period

20th century

Object Name

Photograph

Research Area

Photograph

Not on view

Inscriptions

Printed, in black ink, top center: 24 Mauresque couchee; On reverse, stamped in green ink: CARTES POSTALES DOCUMENTAIRES 19_ [with 66 handwritten in blue ink] / Collection / Louis / HESSENBRUCH / No __

Course History

HIST 7.2, Harem: European Imaginations and Ottoman Realities, Zeynep Turkyilmaz, Katherine Hart, Amelia Kahl, Spring 2012

WGST 41.4, Transnational Muslim Feminisms, Zahra. Ayubi, Fall 2014

REL 28.04, MES 19.05, WGSS 43.06, Gender in Islam, Zahra Ayubi, Spring 2020

Writing 7.46, Photography as Anthropological Research Method, Amanda Wetsel, Spring 2024

Exhibition History

A Space for Dialogue 89, Goddesses, Models, and Prostitutes: An Exploration of the Reclining Female Nude, Olivia Field, Class of 2015, Kathryn Conroy Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 18-August 30, 2015.

Black Womanhood: Images, Icons, and Ideologies of the African Body, Owen Robertson Cheatham Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 1-August 10, 2008; Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts, September 10-December 10, 2008; San Diego Museum of Art, San Diego, California, January 21-April 26, 2009.

Publication History

Barbara Thompson, Black Womanhood: Images, Icons, and Ideologies of the African Body, Seattle: University of Washington Press [Hanover: Trustees of Dartmouth College], 2008, p. 205, plate 74.

Olivia Field, A Space for Dialogue 89, Goddesses, Models, and Prostitutes: An Exploration of the Reclining Female Nude, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2015, ill. p. 3.

Provenance

Alexandre Przopiorski, Lyon, France; sold to present collection, 2006.

Catalogue Raisonne

Coll. Ideale P.S. no. 24

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