Jan Cornelis Sylvius, Preacher

Rembrandt van Rijn, Dutch, 1606 - 1669

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1646

Etching, drypoint and engraving on laid paper

Overall: 11 1/8 × 7 1/2 in. (28.3 × 19 cm)

Hood Museum of Art, Dartmouth College: Gift of Jean K. Weil in memory of Adolph Weil Jr., Class of 1935

PR.997.5.111

Geography/Culture

Europe, Netherlands

Period

1600-1800

Object Name

Print

Classification

Print

Not on view

Inscription

Inscribed, in plate, upper center: Rembrandt 1646; extensive inscription surrounding and below image; verso: inscribed, in black ink: am (L. 144) Watermark: Coat-of-arms with Strasburg Bend and Lily and pendant WK (WR?), similar to Heawood 141.

Course History

ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016

ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016

ARTH 2, Introduction to the History of Art II, Joy Kenseth, Mary Coffey, Winter 2014

REL 60, Reformations: Protestant and Catholic, Catherine Randall, Fall 2013

ARTH 2, Introduction to the History of Art II, Joy Kenseth, Marlene Heck, Winter 2012

Exhibition History

With a Sincere Hand and a Faithful Eye, Harrington Gallery Teaching Exhibition, Art History 46, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 28-December 17, 2000.

Rembrandt: Master of Light and Shadow; Etchings from the Collection of the Hood Museum of Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 8-September 17, 2006.

Rembrandt Prints from the Weil Collection, Montgomery Museum of Fine Arts, Montgomery, Alabama, April 10-May 23, 1999.

Durer, Rembrandt & Beyond: From the Collection of Mr. and Mrs. Adolph Weil, Jr., Montgomery Museum of Fine Arts, Montgomery, Alabama, July 1-August 28, 1994, no. 84.

A Space for Dialogue 51, The Quest for Printed Tone, Alex Vespoli, Class of 2009, Class of 1954 Senior Curatorial Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, June 4-August 16, 2009.

A Humanist Vision: The Adolph Weil, Jr. Collection of Rembrandt Prints, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 23-March 20, 1988, no. 20.

A Gift to the College: The Mr. and Mrs. Adolph Weil Jr. Collection of Master Prints, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 17-December 20, 1998.

Publication History

Timothy Rub, Egbert Haverkamp-Begemann, Kelly Pask, "A Gift to the College: The Mr. and Mrs. Adolph Weil Jr. Collection of Master Prints", Hanover, New Hampshire: Trustees of Dartmouth College, 1998, ill. p.18, listed, p.117, no. 253.

Stacey Sell, Durer, Rembrandt & Beyond: From the Collection of Mr. and Mrs. Adolph Weil, Jr., Montgomery, Alabama: Montgomery Museum of Fine Arts, 1994, p. 5, ill.; p. 51, no. 84.

Rembrandt Prints in the Collection of the Hood Museum of Art, Hanover, New Hampshire: Trustees of Dartmouth College, 2006, ill. p. 5.

LaRosa, Suzanne, ed., "Rembrandt, Beyond the Brush: Master Prints from the Weil Collection", Montgomery, Alabama: The Montgomery Museum of Fine Arts, 112 pp., Checklist no. 69, March 1999.

Hilliard T. Goldfarb, A Humanist Vision: The Adolph Weil,Jr. Collection of Rembrandt Prints, Hanover: Hood Museum of Art, Dartmouth College, 1988, pp. 54-55, no. 20, ill.

Provenance

Alfred Morrison, London and Fonthill 1821-1897; given to his widow, Mabel Chermside Morrison, London; Christie's, New York; lot 70; sold to Jean K. and Adolph Weil, Jr., Montgomery, Alabama, on November 16, 1982; given to present collection, 1997.

Catalogue Raisonne

New Hollstsein (NHD) 235 ii/ii; Bartsch and Hollstein 280; Hind 225

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.

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