Est-ce qu'on peut s'apercevoir encore que je souris? (Has Anyone Noticed Yet That I Smile?), from Planches de Salut (Plates of Salutation)
Louis Casimir Ladislas Marcoussis, French, 1883 - 1941
1930; published 1931
Etching on wove paper
70/71 (+ 6 hors commerce)
Sheet: 12 1/2 × 16 in. (31.8 × 40.6 cm)
Hood Museum of Art, Dartmouth: Purchased through the Phyllis and Bertram Geller 1937 Memorial Fund
PR.963.121
Publisher
Éditions Jeanne Bucher, Paris
Geography
Place Made: France, Europe
Period
20th century
Object Name
Research Area
Not on view
Inscriptions
Inscribed, in plate, lower right: CM; lower left: N 9; inscribed, in graphite, lower left margin: 70/71 Watermark: Arches
Course History
ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013
THEA 90, Contemporary Practices in U.S. Theater, Laurie Cherba Kohn, Fall 2013
WRIT 5, The Waste Land, Before and After, Melissa Zeiger, Fall 2013
Exhibition History
Cubism and Its Affinities, Strauss and Barrows Galleries, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, July 9-September 5, 1976.
Cubism and Its Legacy, Churchill P. Lathrop Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 17-December 20, 2013.
Cubist-Surrealist Works, Colby-Sawyer College, New London, New Hampshire, March 5-14, 1979.
Provenance
Ferdinand Roten Gallery, Baltimore, Maryland; sold to present collection, 1963.
Catalogue Raisonne
S. Milet, Louis Marcoussis: Catalogue Raisonne de l'Oeuvre Grave, Copenhagen, 1991, no. 76.
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