Martin Luther King, Jr.
John Wilson, American, 1922 - 2015
2002
Etching and aquatint with chine collé
4/50
Overall: 35 5/8 × 29 7/8 in. (90.5 × 75.9 cm)
Hood Museum of Art, Dartmouth: Purchased through the Olivia H. Parker and John O. Parker '58 Acquisition Fund
© John Wilson
PR.2002.17.2
Printer
Center Street Studio, Milton, Massachusetts
Publisher
Center Street Studio, Milton, Massachusetts | John Wilson
Geography
Place Made: United States, North America
Period
21st century
Object Name
Research Area
Not on view
Inscriptions
Signed, in graphite, lower right: Wilson 02; numbered, in graphite, lower left: 4/50| Embossed, publisher's chop, lower left: [clam shell]
Course History
SART 27, Printmaking I: Intaglio, Louise Hamlin, Spring 2012
SART 27, SART 28, Printmaking I: Intaglio, Printmaking II, Louise Hamlin, Winter 2013
SART 27, SART 28, SART 74, Printmaking I, II, III, Louise Hamlin, Spring 2013
SART 27, SART 28, Printmaking I: Intaglio, Printmaking II, Louise Hamlin, Winter 2012
SART 27, SART 28, Printmaking I-Intaglio, Printmaking II, Louise Hamlin, Winter 2014
SART 15, Drawing I, Viktor Witkowski, Winter 2019
SART 15, Drawing I, Karol Kawiaka, Spring 2019
SART 15.01, Drawing I, Viktor Witkowski, Winter 2020
SART 15.01, Drawing I, Esme Thompson, Fall 2020
SART 15.02, Drawing I, Karol Kawiaka, Spring 2021
SART 15.02, Drawing I, Karol Kawiaka, Spring 2021
SART 15.02, Drawing I, Karol Kawiaka, Spring 2021
SART 15.02, Drawing I, Karol Kawiaka, Spring 2021
SART 15.02, Drawing I, Karol Kawiaka, Spring 2021
AAAS 88.19, Contemporary African-American Artists, Michael Chaney, Summer 2021
AAAS 88.19, Contemporary African-American Artists, Michael Chaney, Summer 2021
SART 15.03, Drawing I, Karol Kawiaka, Spring 2022
SART 15.02, Drawing I, Karol Kawiaka, Spring 2022
SART 15.02, Drawing I, Karol Kawiaka, Spring 2022
Studio Art 15.02, Drawing I, Daniele Genadry, Summer 2023
Exhibition History
A Space for Dialogue, Process, Product and Black Practice, Turiya Adkins, Class of 2020, Homma Famiily Intern, Alvin P. Gutman Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 31 - October 3, 2021.
Churchill P. Lathrop Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 14-March 9, 2003.
Elevator Vestibule, Churchill P. Lathrop Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April-August 2011.
Fred Wilson, So Much Trouble in the World - Believe It or Not!, William B. Jaffe and Evelyn A. Jaffe Hall Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 4-December 11, 2005.
Publication History
Barbara Thompson, Fred Wilson, So Much Trouble in the World - Believe It or Not!, Hanover, New Hampshire: Trustees of Dartmouth College, 2005.
Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009 p.187, no.201.
Provenance
Charles M. Young, Fine Prints & Drawings, Glastonbury, Connecticut; sold to present collection, 2002.
This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.
We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu