Butterflies and Flowers
Charles Ethan Porter, American, 1847 - 1923
about 1878
Transparent and opaque watercolor over very faint indications of graphite on wove paper
Image: 9 1/16 × 6 1/8 in. (23 × 15.5 cm)
Sight: 12 3/4 × 8 3/4 in. (32.4 × 22.3 cm)
Sheet (Irreg.): 12 7/8 × 9 3/16 in. (32.7 × 23.3 cm)
Frame: 20 3/8 × 16 13/16 × 13/16 in. (51.8 × 42.7 × 2 cm)
Hood Museum of Art, Dartmouth: Purchased through the Phyllis and Bertram Geller 1937 Memorial Fund
2018.21
Geography
Place Made: United States, North America
Period
19th century
Object Name
Watercolor
Research Area
Watercolor
Not on view
Inscriptions
Signed, in graphite, lower center, in composition: C E Porter
Exhibition History
This Land: American Engagement with the Natural World, Israel Sack Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 5-April 11, 2022.
Published References
Binstock, Jonathan, P. and Lowery Stokes Sims. African American Art – 200 Years: 40 Distinctive Voices Reveal the Breadth of Nineteenth and Twentieth Century Art. New York: Michael Rosenfeld Gallery, LLC, 2008. Cummings, Hildegard. Charles Ethan Porter: African-American Master of Still Life. New Britain, CT: New Britain Museum of American Art, 2007. Foutch, Ellery. “Capturing Nature: American Artists’ Pursuit of Natural History.” In Flora/Fauna: The Naturalist Impulse in American Art, 75–96. Old Lyme, CT: Florence Griswold Museum, 2017. French, H. W. Art and Artists in Connecticut. Boston: Lee and Shepard, Publishers; New York: Charles T. Dillingham, 1879. Fusscas, Helen K., et al. Charles Ethan Porter: 1847?–1923. Marlborough, CT: The Connecticut Gallery, Inc., 1987. Gerdts, William H. Two Centuries of American Still-Life Painting: The Frank and Michelle Hevrdejs Collection. Houston: The Museum of Fine Arts, Houston, 2016. Mitchell, Mark D. The Art of American Still Life: Audubon to Warhol. Philadelphia: Philadelphia Museum of Art in association with Yale University Press, 2015. Parsons, Jennifer Stettler. “Flora/Fauna: The Naturalist Impulse in American Art.” In Flora/Fauna: The Naturalist Impulse in American Art, 13–74. Old Lyme, CT: Florence Griswold Museum, 2017.
Provenance
Sacks Fine Arts, New York, New York; sold to private collection, New York; Swann Auction Galleries, New York, New York, “African-American Fine Art,” October 4, 2018, Lot 2; sold to present collection, 2018.
This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.
We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu