Inscribed, on obverse, left side: .D.ISOTTAE.; right side: ARIMINESI.; dated, on reverse, bottom center: M.CCCC.XLVI
ARTH 84, Media and Meaning in Renaissance Sculpture, Adrian Randolph, Fall 2013
HIST 43.02, European Intellectual and Cultural History 1400-1800, Darrin McMahon, Fall 2019
From Altarpiece to Portrait: Assembling a European Collection, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 26, 2019-September 6, 2020.
Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 18, 2001-April 7, 2002.
Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 3, 1999-September 22, 2000.
Ivan Albright Gallery, Hoood Museum of Art, Dartmouth College, Hanover, New Hampshire, November 16, 2009.
Renaissance and Mannerist Plaquettes and Medals from the Collection of Roger Arvid Anderson, Class of 1968, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 19-November 21, 2013.
The Power of Appearances: Renaissance and Reformation Portrait Prints and Medals, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 7-December 3, 2000.
Roger Arvid Anderson, The Roger Arvid Anderson Collection, Medals, Medallions, Plaquettes and Small Reliefs, Paintings, Sculpture, Works on Paper and Textiles, San Francisco: Roger Arvid Anderson (published privately), design by David L. Wilson, 2015, p. 18-19.
Acquired by Roger Arvid Anderson, San Francisco, California, date unknown; lent to present collection, 1998; given to present collection, 2016.
Kress, No. 63; Hill Corpus, No. 187
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