Isotta degli Atti da Rimini (obverse); Elephant (reverse)

Matteo di Andrea de' Pasti, Italian, about 1420 - after 1467

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1446

Bronze

Overall: 3 5/16 × 3 5/16 × 3/8 in. (8.4 × 8.4 × 1 cm)

Weight: 263 g (0.6 lb.)

Hood Museum of Art, Dartmouth: Roger Arvid Anderson Collection - 250th Anniversary Gift, 1769-2019

2016.64.111

Geography

Place Made: Italy, Europe

Period

1400-1600

Object Name

Sculpture: Medal

Research Area

Sculpture

Not on view

Inscriptions

Inscribed, on obverse, left side: .D.ISOTTAE.; right side: ARIMINESI.; dated, on reverse, bottom center: M.CCCC.XLVI

Course History

ARTH 84, Media and Meaning in Renaissance Sculpture, Adrian Randolph, Fall 2013

HIST 43.02, European Intellectual and Cultural History 1400-1800, Darrin McMahon, Fall 2019

HIST 43.02, European Intellectual History 1400-1800, Darrin McMahon, Fall 2022

ITAL 1.01, Introductory Italian I, Giorgio Alberti, Fall 2022

ITAL 1.02, Introductory Italian I, Andrea Zoller, Fall 2022

ITAL 1.03, Introductory Italian I, Andrea Zoller, Fall 2022

Italian 1.02, Introductory Italian I, Andrea Zoller, Winter 2023

Italian 1.01, Introductory Italian I, Giorgio Alberti, Winter 2023

Italian 11.01, Intensive Italian, Giorgio Alberti, Winter 2023

Art History 7.05, Pompeii: Antique & Modern, Ada Cohen, Winter 2023

Italian 2.01, Introductory Italian II, Andrea Zoller, Winter 2023

Italian 2.02, Introductory Italian II, Matteo Gilebbi, Winter 2023

Italian 1.01, Introductory Italian 1, Giorgio Alberti, Fall 2023

Italian 1.02, Introductory Italian 1, Marco D'Angelo, Fall 2023

Italian 1.03, Introductory Italian 1, Floriana Ciniglia, Fall 2023

Italian 1.04, Introductory Italian 1, Noemi Perego, Fall 2023

Italian 2.01, Introductory Italian II, Marco D'Angelo, Fall 2023

Italian 1.01, Introductory Italian 1, Giorgio Alberti, Winter 2024

Italian 1.02, Introductory Italian 1, Floriana Ciniglia, Winter 2024

Italian 2.01, Introductory Italian II, Giorgio Alberti, Winter 2024

Italian 2.02, Introductory Italian II, Noemi Perego, Winter 2024

Studio Art 17.08, Digital Drawing, Karol Kawiaka, Winter 2024

Studio Art 17.08, Digital Drawing, Karol Kawiaka, Winter 2024

Geography 29.01, Global Cities, Erin Collins, Spring 2024

Geography 29.01, Global Cities, Erin Collins, Spring 2024

Italian 1.01, Introductory Italian I, Noemi Perego, Spring 2024

Italian 11.01, Intensive Italian, Floriana Ciniglia, Spring 2024

Italian 2.01, Introductory Italian II, Floriana Ciniglia, Spring 2024

Italian 3.01, Introductory Italian III, Tania Convertini, Spring 2024

Italian 3.02, Introductory Italian III, Giorgio Alberti, Spring 2024

Exhibition History

From Altarpiece to Portrait: Assembling a European Collection, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 26, 2019-September 6, 2020.

Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 18, 2001-April 7, 2002.

Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 3, 1999-September 22, 2000.

Ivan Albright Gallery, Hoood Museum of Art, Dartmouth College, Hanover, New Hampshire, November 16, 2009.

Renaissance and Mannerist Plaquettes and Medals from the Collection of Roger Arvid Anderson, Class of 1968, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 19-November 21, 2013.

The Power of Appearances: Renaissance and Reformation Portrait Prints and Medals, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 7-December 3, 2000.

Publication History

Roger Arvid Anderson, The Roger Arvid Anderson Collection, Medals, Medallions, Plaquettes and Small Reliefs, Paintings, Sculpture, Works on Paper and Textiles, San Francisco: Roger Arvid Anderson (published privately), design by David L. Wilson, 2015, p. 18-19.

Provenance

Acquired by Roger Arvid Anderson, San Francisco, California, date unknown; lent to present collection, 1998; given to present collection, 2016.

Catalogue Raisonne

Kress, No. 63; Hill Corpus, No. 187

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