ARTH 17.2, AAAS 80.5, Twentieth-Century African Art , Ugochukwu Smooth Nzwei, Spring 2015
SART 17.9, The Photographer as Activist: Making Art Inspired by the Hood Museum's Collection , Virginia Beahan, Winter 2015
WGST 41.4, Transnational Muslim Feminisms, Zahra. Ayubi, Fall 2014
FREN 7, French Graphic Novels, Annabelle Cone, Spring 2013
ENVS 80, Writing Our Way Home: The Writing That Sustains Us, Terry Tempest Williams, Spring 2013
Word and Image in Contemporary Art, Churchill P. Lathrop Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 26-August 4, 2013.
Undercover: Performing and Transforming Black Female Identities, Spelman College Museum of Fine Art, Atlanta, Georgia, September 10-December 5, 2009.
Constructing Gender: Works from the Hood Museum of Art's Collection, 1500 to the Present, Harrington Gallery Teaching Exhibition, ARTH 2, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 28-April 22, 2012.
Black Womanhood: Images, Icons, and Ideologies of the African Body, Owen Robertson Cheatham Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 1-August 10, 2008; Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts, September 10-December 10, 2008; San Diego Museum of Art, San Diego, California, January 21-April 26, 2009.
Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009 p.209, no.274.
Barbara Thompson, Black Womanhood: Images, Icons, and Ideologies of the African Body, Seattle: University of Washington Press [Hanover: Trustees of Dartmouth College], 2008, p. 347, plate 126.
Howard Yezerski Gallery, Boston, Massachusetts; sold to present collection, 2006.
This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.
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