We are expanding! Check out our programming while the museum is closed.

Black Womanhood

Images, Icons, and Ideologies of the African Body

April 01, 2008, through August 10, 2008
Organized by the Hood Museum of Art, this major traveling exhibition examines the historical roots of a charged icon in contemporary art: the black female body. Only through an exploration of the origins of black womanhood's prevalent stereotypes can we begin to shed new light on the powerful revisionism occupying contemporary artists working with these themes today. The exhibition features over one hundred sculptures, prints, postcards, photographs, paintings, textiles, and video installations presenting three separate but intersecting perspectives: the traditional African, the colonial, and the contemporary global. Together they reveal a common preoccupation with themes of ideal beauty, fertility and sexuality, maternity and motherhood, and identities and social roles and enable us to peel back the layers of social, cultural, and political realities that have influenced stereotypes of black womanhood from the nineteenth century to the present. This approach promotes a deeper understanding of the ideologies of race, gender, and sexuality that inform contemporary responses—both the viewers' and the artists'—to images of the black female body. A fully illustrated catalogue published by the Hood Museum of Art and the University of Washington Press accompanies the exhibition.
This exhibition and publication are generously funded by a grant from the Andy Warhol Foundation for the Visual Arts; Hugh J. Freund '67, P'08; the William B. Jaffe and Evelyn A. Hall Fund; the Leon C. 1927, Charles L. 1955, and Andrew J. 1984 Greenbaum Fund; the Hanson Family Fund; and the William Chase Grant 1919 Memorial Fund.
Curated by Barbara Thompson, Curator of African, Oceanic, and Native American Collections
Close
Hood Museum