Woman Sitting Half Dressed Beside a Stove

Rembrandt van Rijn, Dutch, 1606 - 1669

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1658

Etching and drypoint on laid paper

Overall: 8 15/16 × 7 1/2 in. (22.7 × 19 cm)

Hood Museum of Art, Dartmouth: Gift of Jean K. Weil in memory of Adolph Weil Jr., Class of 1935

PR.997.5.95

Geography

Place Made: Netherlands, Europe

Period

1600-1800

Object Name

Print

Research Area

Print

Not on view

Inscriptions

Inscribed, in plate, upper right: Rembrandt f. 1658; verso: inscribed, in black ink: N. Mossoloff. (Lugt 1802); blue Russian stamp, inscribed, in graphite: n. 40571 Watermark: IHS

Course History

ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013

ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013

ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013

ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013

ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013

ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013

ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013

ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013

ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013

ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013

ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013

ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013

ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013

ARTH 16.2, Picasso: The Vollard Suite, Michae R. Taylor, Fall 2013

SPAN 32, Introduction to Hispanic Studies III: 20th-21st Centuries, Sara Munoz, Fall 2013

ARTH 46, Northern Baroque Art, Joy Kenseth, Spring 2015

ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016

ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016

ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016

ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016

ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016

Exhibition History

A Gift to the College: The Mr. and Mrs. Adolph Weil Jr. Collection of Master Prints, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 17-December 20, 1998.

A Humanist Vision: The Adolph Weil, Jr. Collection of Rembrandt Prints, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, Hanover, New Hampshire, January 23-March 20, 1988, no. 42.

A Space for Dialogue 51, The Quest for Printed Tone, Alex Vespoli, Class of 2009, Class of 1954 Senior Curatorial Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, June 4-August 16, 2009.

Durer, Rembrandt & Beyond: From the Collection of Mr. and Mrs. Adolph Weil, Jr., Montgomery Museum of Fine Arts, Montgomery, Alabama, July 1-August 28, 1994, no. 123.

Picasso: The Vollard Suite, William B. Jaffe and Evelyn A. Jaffe Hall Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 17-December 20, 2013.

Reality and its Alternatives, Art History 2, Harrington Gallery Teaching Exhibition, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 4-March 13, 2005.

Rembrandt Prints from the Weil Collection, Montgomery Museum of Fine Arts, Montgomery, Alabama, April 10-May 23, 1999.

Rembrandt: Master of Light and Shadow; Etchings from the Collection of the Hood Museum of Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 8-September 17, 2006.

Representations of the Body in Space from the Renaissance to the Present: Selections from the Permanent Collection, Harrington Gallery Teaching Exhibition, Art History 2, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 3-March 15, 1998.

The Golden Age: 17th century Art in The Netherlands, Northern Baroque Art, Art History 46, Joy Kenseth, Teaching Exhibition, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 31-May 31, 2015.

With a Sincere Hand and a Faithful Eye, Harrington Gallery Teaching Exhibition, Art History 46, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 28-December 17, 2000.

Publication History

LaRosa, Suzanne, ed., "Rembrandt, Beyond the Brush: Master Prints from the Weil Collection", Montgomery, Alabama: The Montgomery Museum of Fine Arts, 112 pp., Checklist no. 98, March 1999.

Timothy Rub, Egbert Haverkamp-Begemann, Kelly Pask, "A Gift to the College: The Mr. and Mrs. Adolph Weil Jr. Collection of Master Prints", Hanover, New Hampshire: Trustees of Dartmouth College, 1998, listed, p.113, no. 236.

Stacey Sell, Durer, Rembrandt & Beyond: From the Collection of Mr and Mrs. Adolph Weil, Jr., Montgomery, Alabama: Montgomery Museum of Fine Arts, 1994, p. 52, no. 123.

Hilliard Goldfarb, A Humanist Vision: The Adolph Weil, Jr. Collection of Rembrandt Prints, Hanover: Hood Museum of Art, Dartmouth College, 1988, pp. 104-105, no. 42, ill.

Provenance

Nicolas Mossoloff, Moscow 1847-1914; perhaps deaccessioned from the Roumiantzoff Museum, Moscow; Sotheby Parke Bernet, London, December 6, 1983, lot 194; William H. Schab Gallery, Inc., New York; sold to Jean K. and Adolph Weil, Jr., Montgomery, Alabama, on January 30, 1984; given to present collection, 1997.

Catalogue Raisonne

New Hollstein (NHD) 307 iii/vii; Bartsch and Hollstein 197; Hind 296

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