Mameluck de la Garde impériale défendant un trompette blessé contre un Cosaque (A Mameluke of the Imperial Guard Defending a Wounded Trumpeter against a Cossack)

Jean-Louis André Théodore Géricault, French, 1791 - 1824

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1818

Crayon and pen lithograph on laid paper

Image: 13 7/16 × 10 15/16 in. (34.2 × 27.8 cm)

Sheet: 18 3/8 × 13 1/16 in. (46.7 × 33.1 cm)

Hood Museum of Art, Dartmouth: Purchased through gifts from the Lathrop Fellows

PR.993.39

Geography

Place Made: France, Europe

Period

19th century

Object Name

Print

Research Area

Print

Not on view

Inscriptions

On verso, collection mark of Leon Le Rey (Lugt 2224)

Course History

GERM 10, Germany and the East, Yuliya Komska, Winter 2013

REL 81, Dickinson Distinguished Scholar Seminar: Orientalism and the Origins of Religion, Susannah Heschel, Fall 2012

FREN 8, Exploring French Culture and Language, Annabelle Cone, Fall 2013

FREN 8, Exploring French Culture and Language, Annabelle Cone, Fall 2013

ARTH 49, European Art in the Age of Revolution (1750-1850), Katie Hornstein, Fall 2013

FREN 8, Exploring French Culture and Language, Annabelle Cone, Winter 2014

ARTH 17.2, FILM 50, When Media Were New, Katie Hornstein, Spring 2014

FREN 8, Exploring French Culture and Language, Annabelle Cone, Spring 2014

FREN 8, Exploring French Culture and Language, Annabelle Cone, Fall 2014

FREN 8, Exploring French Culture and Language, Annabelle Cone, Winter 2015

ARTH 50, Romanticism, Kristin O'Rourke, Spring 2015

ARTH 50, Romanticism, Kristin O'Rourke, Spring 2015

ARTH 41.03, European Art 1750-1850, Allan Doyle, Winter 2019

Exhibition History

A Decade of Collecting, 1985-1995: Old Master and Nineteenth Century European Prints from the Hood Museum of Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 9, 1995-February 4, 1996, no. 27.

A Space for Dialogue 21, Orientalism: The Art of the French Colonial Encounter, Kathryn Conroy, Class of 2005, Special Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 20-September 12, 2004.

Art and/as Violence, Harrington Gallery Teaching Exhibition, Art History 2, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 12, 2006-March 11, 2007.

European Art at Dartmouth: Highlights from the Hood Museum of Art, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 30, 2008-March 8, 2009.

Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 9, 1994-April 10, 1995.

Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 14, 1996-January 5, 1997.

Representations of the Body in Space from the Renaissance to the Present: Selections from the Permanent Collection, Harrington Gallery Teaching Exhibition, Art History 2, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 3-March 15, 1998.

Teaching the History of Western Art 1500-Present, Harrington Gallery Teaching Exhibition, ArtH2, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 27-March 11, 2001.

Visions of Modernity: Nineteenth-Century European Art from the Permanent Collection, Harrington Gallery Teaching Exhibition, ArtH51, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, May 2-June 21, 1998.

Publication History

Richard Rand, "A Decade of Collecting, 1985-1995: Old Master and Nineteenth-Century European Prints", Hanover, New Hampshire: Trustees of Dartmouth College, 1995, p. 3, ill. p.4, fig. 6, listed p. 6, no. 27..

Kathryn Conroy, A Space for Dialogue 21, Orientalism: The Art of the French Colonial Encounter, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2004, ill. p. 1.

T. Barton Thurber, European Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2008, p.177, ill., no. 109.

Provenance

Marillier collection; Leon Le Rey collection, Paris and Cherbourg (Lugt 2224); August Laube, Zurich; sold to present collection, 1993.

Catalogue Raisonne

C. Clement, Gericault, Paris, 1867, no. 8.

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