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Quarterly

Experiential Learning from Classroom to Exhibition: Faculty and Students in the Hood Museum of Art

Hood Quarterly, spring 2014
Katherine Hart, Senior Curator of Collections and Barbara C. and Harvey P. Hood Curator of Academic Programming

Recent Acquisitions: Clement Meadmore, Perdido, 1978

Alumni Voices: Daniel Heyman

An Interview with Artist-in-Residence Daniel Heyman, Dartmouth Class of 1985

Hood Quarterly, spring 2014
Juliette Bianco, Deputy Director, and Daniel Heyman, Artist-in-Residence 

Allan Houser: A Centennial Exhibition

Hood Quarterly, spring 2014
Katharine Hart, Senior Curator of Collections and Barbara C. and Harvey P. Hood Curator of Academic Programming

I could never turn away from my history . . . That’s the part of me that made me what I am now. That strength that I have is my pride in who I am. My heritage.
—Allan Houser

Letter from the Director: Spring 2014

Hood Quarterly, spring 2014
Michael Taylor, Director

Recent Acquisitions: Jennifer Bartlett, Fire Table I, 1989

Recent Acquisitions: Edward Burtynsky, Stepwell #2, Panna Meena, Amber Rajasthan, India, 2010

Hood Quarterly, spring 2014

The tension between visual punch and global industrial “documentation” is a signature of photographer Edward Burtynsky’s work, and the Hood’s recent acquisition is a stunning example of this. In this photograph, Burtynsky explores the interconnectedness between industrial progress, geological history, and social human history through images of the marks we leave upon the Earth as a result of all three.

Recent Acquisitions: Richard Westall, Ophelia, 1793

Recent Acquisitions: José Clemente Orozco, The Elevated, 1928

Membership Matters: Lathrop Fellows

Hood Quarterly, winter 2014

This fall, the Lathrop Fellows, a special patron group of the Hood Museum of Art, went to London for their annual trip (which is a benefit available to all members of the museum at the Lathrop Fellows level or above). Led by Hood Director Michael Taylor, this four-day excursion included visits (some behind the scenes) to some of London’s finest museums, opportunities to meet and learn from the directors and curators of those collections, and a visit to a private collection.

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