Signed, in ink, lower right: Awa Tsireh; Small white oval label on back of print: Fogg Art Museum. 235.28; square label: C.M.A./TR2896/10 157
NAS 30.1, ARTH 17, Modern Native American Art History, Joyce Szabo, Summer 2013
A Space for Dialogue 31, Myth of the Noble Savage, Meghan Rice, Class of 2006, Special Projects Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 3-May 21, 2006.
Exposition of Indian Tribal Arts, sponsored by the College Art Association, New York, no. 157, toured the United States and Europe, 1931-1933.
Native Ecologies: Recycle, Resist, Protect, Sustain, Owen Robertson Cheatham Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 26, 2019-July 15, 2019.
The Arts of Native America: Studio Painting, Lower Jewett Corridor, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, May 8-June 3, 1979.
Catalogue: Exposition of Indian Tribal Arts, Inc., 578 Madison Avenue, New York, Endorsed and Circulated through the College Art Association, 1931, no. 157.
Barbara J. MacAdam, Marks of Distinction, Two Hundred Years of American Drawings and Watercolors from the Hood Museum of Art, Manchester, Vermont: Hudson Hills Press, 2005, ill. p. 226.
Collection of Abby Aldrich Rockefeller (1874-1948), by 1931; given to present collection, 1935.
This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.
We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu