Rainbow and Deer Design

Awa Tsireh (Alfonso Roybal), San Ildefonso Pueblo / American, 1898 - 1955, San Ildefonso Pueblo (P'o-Woh-Ge-Owinge), Southwest

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1925-1930

Transparent and opaque watercolor over graphite on wove (Canson & Montgolfier) paper, mounted on board

Overall: 18 15/16 × 24 3/4 in. (48.1 × 62.8 cm)

Hood Museum of Art, Dartmouth College: Gift of Abby Aldrich Rockefeller

W.935.1.96

Geography/Culture

North America, United States

Period

20th century

Object Name

Watercolor

Classification

Native American

Watercolor

Native American: Southwest

Not on view

Inscription

Signed, in ink, lower right: Awa Tsireh; Small white oval label on back of print: Fogg Art Museum. 235.28; square label: C.M.A./TR2896/10 157

Course History

NAS 30.1, ARTH 17, Modern Native American Art History, Joyce Szabo, Summer 2013

Exhibition History

The Arts of Native America: Studio Painting, Lower Jewett Corridor, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, May 8-June 3, 1979.

Native Ecologies: Recycle, Resist, Protect, Sustain, Owen Robertson Cheatham Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 26, 2019-July 15, 2019.

Exposition of Indian Tribal Arts, sponsored by the College Art Association, New York, no. 157, toured the United States and Europe, 1931-1933.

A Space for Dialogue 31, Myth of the Noble Savage, Meghan Rice, Class of 2006, Special Projects Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 3-May 21, 2006.

Publication History

Catalogue: Exposition of Indian Tribal Arts, Inc., 578 Madison Avenue, New York, Endorsed and Circulated through the College Art Association, 1931, no. 157.

Barbara J. MacAdam, Marks of Distinction, Two Hundred Years of American Drawings and Watercolors from the Hood Museum of Art, Manchester, Vermont: Hudson Hills Press, 2005, ill. p. 226.

Provenance

Collection of Abby Aldrich Rockefeller (1874-1948), by 1931; given to present collection, 1935.

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.

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