The Little Jewish Bride (Saskia as St. Catherine)

Rembrandt van Rijn, Dutch, 1606 - 1669

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1638

Etching and drypoint on laid paper

Plate: 4 5/16 × 3 1/16 in. (10.9 × 7.8 cm)

Sheet: 4 7/16 × 3 5/16 in. (11.3 × 8.4 cm)

Hood Museum of Art, Dartmouth College: Gift of Jean K. Weil in memory of Adolph Weil Jr., Class of 1935

PR.997.5.114

Geography/Culture

Europe, Netherlands

Period

1600-1800

Object Name

Print

Classification

Print

Not on view

Inscription

Inscribed, in plate, upper right: Rembrandt f. / 1638 (in reverse); inscribed, in graphite, on verso: very fine / W. Stewart's (?) Collection; stamped, on verso: collection mark of Felix Somary (not in Lugt)

Course History

ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016

ARTH 16.2, Picasso: The Vollard Suite, Michae R. Taylor, Fall 2013

ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013

ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013

ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013

ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013

ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013

ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013

ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013

ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013

ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013

ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013

ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013

SPAN 32, Introduction to Hispanic Studies III: 20th-21st Centuries, Sara Munoz, Fall 2013

ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013

ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013

Exhibition History

Rembrandt: Master of Light and Shadow; Etchings from the Collection of the Hood Museum of Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 8-September 17, 2006.

Rembrandt's Journey: Painter- Draftsman- Etcher, Museum of Fine Arts, Boston, Boston, Massachusetts, October 26, 2003-January 18, 2004; The Art Institute of Chicago, Chicago, Illinois, February 14-May 9, 2004, cat. no. 63.

Rembrandt Prints from the Weil Collection, Montgomery Museum of Fine Arts, Montgomery, Alabama, April 10-May 23, 1999.

Picasso: The Vollard Suite, William B. Jaffe and Evelyn A. Jaffe Hall Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 17-December 20, 2013.

From Altarpiece to Portrait: Assembling a European Collection, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover New Hampshire. 29 January 2020.

Creating the Feminine: Representations of Biblical Women from Sixteenth-Century Germany, A Space for Dialogue 85, Sara E. Trautz, Class of 2015, Mellon Special Project Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, November 8-December 21, 2014.

A Humanist Vision: The Adolph Weil, Jr. Collection of Rembrandt Prints, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 23-March 20, 1988, no. 16.

A Gift to the College: The Mr. and Mrs. Adolph Weil Jr. Collection of Master Prints, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 17-December 20, 1998.

Publication History

Timothy Rub, Egbert Haverkamp-Begemann, Kelly Pask, "A Gift to the College: The Mr. and Mrs. Adolph Weil Jr. Collection of Master Prints", Hanover, New Hampshire: Trustees of Dartmouth College, 1998, listed, p.119, no. 256.

Sara E. Trautz, Creating the Feminine: Representations of Biblical Women from Sixteenth-Century Germany, A Space for Dialogue 85, Hanover, New Hampshire, Hood Museum of Art, Dartmouth College, 2014, checklist no. 3.

LaRosa, Suzanne, ed., "Rembrandt, Beyond the Brush: Master Prints from the Weil Collection", Montgomery, Alabama: The Montgomery Museum of Fine Arts, 112 pp., Checklist no. 44, March 1999.

Hilliard T. Goldfarb, A Humanist Vision: The Adolph Weil, Jr. Collection of Rembrandt Prints, Hanover: Hood Museum of Art, Dartmouth College, 1988, pp. 46-47, no. 16, ill.

Etchings by Rembrandt from the Collection of Felix Somary, London: Artemis Fine Arts, 1985, no. 45, ill.

Clifford S. Ackley, "Rembrandt's Journey: Painter- Drafstman- Etcher", Boston, Massachusetts: Museum of Fine Arts, 2003, cat. no. 63, pp. 129-130 and 316..

Provenance

W. Stewart (?); sold to Gilhofer and Ranschburg, Lucerne, August 7, 1936; Felix Somary, Vienna and Zurich 1891-1956; Artemis Fine Arts, Ltd., London; sold to Jean K. and Adolph Weil, Jr., Montgomery, Alabama, on November 14, 1985; given to present collection, 1997.

Catalogue Raisonne

New Hollstein (NHD) 169 only state; Bartsch and Hollstein 342; Hind 154

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.

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