The Goldweigher's Field

Inscriptions

Inscribed, in plate, lower left: Rembrandt 1651 Watermark: Fragment of a crown and fleur-de-lys (close to Heawood 2842)

Course History

ARTH 2, Introduction to the History of Art II, Joy Kenseth, Marlene Heck, Winter 2012

SART 27, Printmaking I: Intaglio, Louise Hamlin, Spring 2012

SART 27, SART 28, Printmaking I: Intaglio, Printmaking II, Louise Hamlin, Winter 2012

SART 27, SART 28, SART 74, Printmaking I, II, III, Louise Hamlin, Spring 2013

SART 27, SART 28, Printmaking I: Intaglio, Printmaking II, Louise Hamlin, Winter 2013

REL 60, Reformations: Protestant and Catholic, Catherine Randall, Fall 2013

ARTH 2, Introduction to the History of Art II, Joy Kenseth, Mary Coffey, Winter 2014

ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016

ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016

ITAL 1.01, Introductory Italian I, Giorgio Alberti, Fall 2022

ITAL 1.02, Introductory Italian I, Andrea Zoller, Fall 2022

ITAL 1.03, Introductory Italian I, Andrea Zoller, Fall 2022

Italian 1.02, Introductory Italian I, Andrea Zoller, Winter 2023

Italian 1.01, Introductory Italian I, Giorgio Alberti, Winter 2023

Italian 11.01, Intensive Italian, Giorgio Alberti, Winter 2023

Art History 7.05, Pompeii: Antique & Modern, Ada Cohen, Winter 2023

Italian 2.01, Introductory Italian II, Andrea Zoller, Winter 2023

Italian 2.02, Introductory Italian II, Matteo Gilebbi, Winter 2023

Exhibition History

A Gift to the College: The Mr. and Mrs. Adolph Weil Jr. Collection of Master Prints, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 17-December 20, 1998.

A Humanist Vision: The Adolph Weil, Jr. Collection of Rembrandt Prints, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 23-March 20, 1988, no. 77.

Drawing from the Collection, Harrington Gallery Teaching Exhibition, SArt15, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 9-October 22, 2000.

Durer, Rembrandt & Beyond: From the Collection of Mr. and Mrs. Adolph Weil, Jr., Montgomery Museum of Fine Arts, Montgomery, Alabama, July 1-August 28, 1994, no. 96.

From Altarpiece to Portrait: Assembling an European Collection, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover NH. 29 January 2020-TBD.

Rembrandt: Master of Light and Shadow; Etchings from the Collection of the Hood Museum of Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 8-September 17, 2006.

Virtual Space for Dialogue, 2018, Symbolic Landscape: Exloring the Semiotics of Landscape in Rembrandt's "Three Trees", Tess McGuinness, Class of 2018, Kathryn Conroy Intern, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, https://www.tmcguinness.vsfd.hoodmuseum.dartmouth.edu/

Publication History

Timothy Rub, Egbert Haverkamp-Begemann, Kelly Pask, "A Gift to the College: The Mr. and Mrs. Adolph Weil Jr. Collection of Master Prints", Hanover, New Hampshire: Trustees of Dartmouth College, 1998, ill. p.41, listed, p.117, no. 248.

Stacey Sell, Durer, Rembrandt & Beyond: From the Collection of Mr. and Mrs. Adolph Weil, Jr., Montgomery, Alabama: Montgomery Museum of Fine Arts, 1994, p. 51, no. 96.

Hilliard Goldfarb, A Humanist Vision: The Adolph Weil, Jr. Collection of Rembrandt Prints, Hanover: Hood Museum of Art, Dartmouth College, 1988, pp. 180-81, no. 77, ill.

Provenance

Christie's, New York; lot 86; sold to Jean K. and Adolph Weil, Jr., Montgomery, Alabama, on May 10, 1982; given to present collection, 1997.

Catalogue Raisonne

New Hollstein (NHD) 257 only; Bartsch and Hollstein 234; Hind 249

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